Fragments, form and photogénie: Using practice to research the intersectional work of poetic documentary

Frankham, B

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Publisher:: Springer International Publishing
Publication Type:: Chapter
Citation:: Screen Production Research: Creative Practice as a Mode of Enquiry, 2017, pp. 177-194
Issue Date:: 2017-12-19

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Field	Value	Language
dc.contributor.author	Frankham, B https://orcid.org/0000-0002-7923-0364
dc.date.accessioned	2020-12-20T04:24:19Z
dc.date.available	2020-12-20T04:24:19Z
dc.date.issued	2017-12-19
dc.identifier.citation	Screen Production Research: Creative Practice as a Mode of Enquiry, 2017, pp. 177-194
dc.identifier.isbn	9783319628363
dc.identifier.uri	http://hdl.handle.net/10453/144864
dc.language	en
dc.publisher	Springer International Publishing
dc.relation.ispartof	Screen Production Research: Creative Practice as a Mode of Enquiry
dc.relation.isbasedon	10.1007/978-3-319-62837-0_11
dc.rights	info:eu-repo/semantics/restrictedAccess
dc.title	Fragments, form and photogénie: Using practice to research the intersectional work of poetic documentary
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney
utslib.copyright.status	closed_access	*
dc.date.updated	2020-12-20T04:24:16Z
pubs.publication-status	Published

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