Creative coding and interaction design for media multiplicities: Challenges, paradigms and frameworks

Bown, O; Fraietta, A; Ferguson, S; Loke, L

Creative coding and interaction design for media multiplicities: Challenges, paradigms and frameworks

Bown, O Fraietta, A Ferguson, S

Loke, L

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Publisher:: ACM
Publication Type:: Conference Proceeding
Citation:: TEI 2020 - Proceedings of the 14th International Conference on Tangible, Embedded, and Embodied Interaction, 2020, pp. 877-880
Issue Date:: 2020-02-06

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Field	Value	Language
dc.contributor.author	Bown, O
dc.contributor.author	Fraietta, A
dc.contributor.author	Ferguson, S https://orcid.org/0000-0003-1853-3000
dc.contributor.author	Loke, L
dc.date.accessioned	2021-04-05T11:17:24Z
dc.date.available	2021-04-05T11:17:24Z
dc.date.issued	2020-02-06
dc.identifier.citation	TEI 2020 - Proceedings of the 14th International Conference on Tangible, Embedded, and Embodied Interaction, 2020, pp. 877-880
dc.identifier.isbn	9781450361071
dc.identifier.uri	http://hdl.handle.net/10453/147838
dc.description.abstract	Media multiplicities are media artworks that employ multiple networked digital devices to create holistic aesthetic effects. Examples include the networked light artworks of Squidsoup, the Spaxels drone-mounted light performances, DrawBots, Siftables and many others. In multiplicitous media artworks, each individual device is a programmable node connected to other nodes via a network connection, and may combine any number of sensors and actuators. A number of development technologies support artists and designers to configure and create media multiplicities, but this domain offers new challenges for creative practitioners. This workshop aims to bring together experts in creative coding and interaction design to discuss and conceptualise frameworks for the practice of media multiplicities. Open challenges include: speed of setup; ease of hardware configuration; speed of code deployment; ability to model and simulate works in VR; network connectivity and stability; and understanding network, computation and power constraints.
dc.language	en
dc.publisher	ACM
dc.relation	http://purl.org/au-research/grants/arc/LP180100151
dc.relation.ispartof	TEI 2020 - Proceedings of the 14th International Conference on Tangible, Embedded, and Embodied Interaction
dc.relation.ispartof	TEI '20: Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction
dc.relation.isbasedon	10.1145/3374920.3374966
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	Creative coding and interaction design for media multiplicities: Challenges, paradigms and frameworks
dc.type	Conference Proceeding
utslib.for	0806 Information Systems
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
utslib.copyright.status	closed_access	*
dc.date.updated	2021-04-05T11:17:20Z
pubs.publication-status	Published

Abstract:

Media multiplicities are media artworks that employ multiple networked digital devices to create holistic aesthetic effects. Examples include the networked light artworks of Squidsoup, the Spaxels drone-mounted light performances, DrawBots, Siftables and many others. In multiplicitous media artworks, each individual device is a programmable node connected to other nodes via a network connection, and may combine any number of sensors and actuators. A number of development technologies support artists and designers to configure and create media multiplicities, but this domain offers new challenges for creative practitioners. This workshop aims to bring together experts in creative coding and interaction design to discuss and conceptualise frameworks for the practice of media multiplicities. Open challenges include: speed of setup; ease of hardware configuration; speed of code deployment; ability to model and simulate works in VR; network connectivity and stability; and understanding network, computation and power constraints.

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http://hdl.handle.net/10453/147838