The Art of Interaction

Edmonds, EA

The Art of Interaction

Edmonds, EA

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Publisher:: Routledge
Publication Type:: Journal Article
Citation:: Digital Creativity, 2010, 21 (4), pp. 257 - 264
Issue Date:: 2010-01

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Field	Value	Language
dc.contributor.author	Edmonds, EA	en_US
dc.contributor.editor	Mival, O	en_US
dc.contributor.editor	Bonner, J	en_US
dc.contributor.editor	Smyth, M	en_US
dc.contributor.editor	O'Neill, S	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	Digital Creativity, 2010, 21 (4), pp. 257 - 264	en_US
dc.identifier.issn	1462-6268	en_US
dc.identifier.uri	http://hdl.handle.net/10453/15208
dc.description.abstract	Interactive art has become much more common as a result of the many ways in which the computer and the Internet have facilitated it. Issues relating to humancomputer interaction (HCI) are as important to interactive art making as issues relating to the colours of paint are to painting. It is not that HCI and art necessarily share goals. It is just that much of the knowledge of HCI and its methods can contribute to interactive art making. This paper reviews recent work that looks at these issues in the art context. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it and, ultimately, in participant experience and their degree of engagement. The paper looks at these issues and brings together a collection of research results and art practice experiences that together help to illuminate this significant new and expanding area. In particular, it is suggested that this work points towards a much needed critical language that can be used to describe, compare and discuss interactive digital art.	en_US
dc.language	English	en_US
dc.publisher	Routledge	en_US
dc.relation.ispartof	Digital Creativity	en_US
dc.relation.isbasedon	10.1080/14626268.2010.556347	en_US
dc.subject.classification	Music	en_US
dc.title	The Art of Interaction	en_US
dc.type	Journal Article
utslib.citation.volume	4	en_US
utslib.citation.volume	21	en_US
utslib.for	0801 Artificial Intelligence and Image Processing	en_US
utslib.for	08 Information and Computing Sciences	en_US
utslib.for	12 Built Environment and Design	en_US
utslib.for	19 Studies in Creative Arts and Writing	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Software
pubs.organisational-group	/University of Technology Sydney/Strength - HCTD - Human Centred Technology Design
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.issue	4	en_US
pubs.volume	21	en_US

Abstract:

Interactive art has become much more common as a result of the many ways in which the computer and the Internet have facilitated it. Issues relating to humancomputer interaction (HCI) are as important to interactive art making as issues relating to the colours of paint are to painting. It is not that HCI and art necessarily share goals. It is just that much of the knowledge of HCI and its methods can contribute to interactive art making. This paper reviews recent work that looks at these issues in the art context. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it and, ultimately, in participant experience and their degree of engagement. The paper looks at these issues and brings together a collection of research results and art practice experiences that together help to illuminate this significant new and expanding area. In particular, it is suggested that this work points towards a much needed critical language that can be used to describe, compare and discuss interactive digital art.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/15208