On virtual models

Brejzek, T; Wallen, L

On virtual models

Brejzek, T

Wallen, L

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Publisher:: Routledge
Publication Type:: Journal Article
Citation:: Theatre and Performance Design, 2021, 7, (1-2), pp. 3-5
Issue Date:: 2021-01-01

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Field	Value	Language
dc.contributor.author	Brejzek, T https://orcid.org/0000-0002-4985-7289
dc.contributor.author	Wallen, L https://orcid.org/0000-0003-4856-9864
dc.date.accessioned	2021-12-08T01:14:12Z
dc.date.available	2021-12-08T01:14:12Z
dc.date.issued	2021-01-01
dc.identifier.citation	Theatre and Performance Design, 2021, 7, (1-2), pp. 3-5
dc.identifier.issn	2332-2551
dc.identifier.issn	2332-2578
dc.identifier.uri	http://hdl.handle.net/10453/152213
dc.description.abstract	This special double issue of Theatre and Performance Design, ‘On Virtual Models’, is both a succession and an expansion of research for our 2018 monograph, The Model as Performance. Staging Space in Theatre and Architecture (Bloomsbury). The monograph was the outcome of a project initiated many years earlier within our creative practices and scholarly works. The Model as Performance intentionally focused on the physical scale model and its performative, epistemic, and cosmopoietic (worldmaking) capacities. In parallel to publishing the monograph, we guest-edited a special double issue of Theatre and Performance Design entitled ‘On Models’. We invited theorists and practitioners to respond to the overall ‘model’ project and contribute to a further discourse acknowledging and articulating the physical model’s agency across the disciplines of theatre and architecture. This current special double issue extends our focus to observe the virtual model and its capacity to redefine location, time, and narrative, provoking dialogues and connections that emerge between material realities and the immaterial virtual realm, beyond the functionality of the human-machine interface (HMI).
dc.language	en
dc.publisher	Routledge
dc.relation.ispartof	Theatre and Performance Design
dc.relation.isbasedon	10.1080/23322551.2021.1936947
dc.rights	info:eu-repo/semantics/closedAccess
dc.subject	1902 Film, Television and Digital Media, 1904 Performing Arts and Creative Writing, 1905 Visual Arts and Crafts
dc.title	On virtual models
dc.type	Journal Article
utslib.citation.volume	7
utslib.for	1902 Film, Television and Digital Media
utslib.for	1904 Performing Arts and Creative Writing
utslib.for	1905 Visual Arts and Crafts
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2021-12-08T01:14:10Z
pubs.issue	1-2
pubs.publication-status	Published
pubs.volume	7
utslib.citation.issue	1-2

Abstract:

This special double issue of Theatre and Performance Design, ‘On Virtual Models’, is both a succession and an expansion of research for our 2018 monograph, The Model as Performance. Staging Space in Theatre and Architecture (Bloomsbury). The monograph was the outcome of a project initiated many years earlier within our creative practices and scholarly works. The Model as Performance intentionally focused on the physical scale model and its performative, epistemic, and cosmopoietic (worldmaking) capacities. In parallel to publishing the monograph, we guest-edited a special double issue of Theatre and Performance Design entitled ‘On Models’. We invited theorists and practitioners to respond to the overall ‘model’ project and contribute to a further discourse acknowledging and articulating the physical model’s agency across the disciplines of theatre and architecture. This current special double issue extends our focus to observe the virtual model and its capacity to redefine location, time, and narrative, provoking dialogues and connections that emerge between material realities and the immaterial virtual realm, beyond the functionality of the human-machine interface (HMI).

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/152213