Performing the Network

Miranda, M; Neumark, N

Performing the Network

Miranda, M Neumark, N

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Publisher:: Macquarie University
Publication Type:: Journal Article
Citation:: SCAN, 2007, 4 (1), pp. 1 - 7
Issue Date:: 2007-01

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Field	Value	Language
dc.contributor.author	Miranda, M	en_US
dc.contributor.author	Neumark, N	en_US
dc.date.issued	2007-01	en_US
dc.identifier.citation	SCAN, 2007, 4 (1), pp. 1 - 7	en_US
dc.identifier.issn	1449-1818	en_US
dc.identifier.uri	http://hdl.handle.net/10453/1526
dc.description.abstract	Séance: a networked glossalalia is a networked performance that is part of the media art project, The Perpetual Emotion Project. Both are animated by our interest in the non-instrumental and the non-sensical and in the making of performative events. In this paper we present the work as practice-led research, which contributes to the understanding and development of what we identify as performative media art. This paper is an expanded version of a paper presented at E-Performance and Plug-ins, UNSW, 2006.	en_US
dc.publisher	Macquarie University	en_US
dc.relation.ispartof	SCAN	en_US
dc.title	Performing the Network	en_US
dc.type	Journal Article
utslib.citation.volume	1	en_US
utslib.citation.volume	4	en_US
utslib.for	2001 Communication and Media Studies	en_US
utslib.for	1203 Design Practice and Management	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.issue	1	en_US
pubs.volume	4	en_US

Abstract:

Séance: a networked glossalalia is a networked performance that is part of the media art project, The Perpetual Emotion Project. Both are animated by our interest in the non-instrumental and the non-sensical and in the making of performative events. In this paper we present the work as practice-led research, which contributes to the understanding and development of what we identify as performative media art. This paper is an expanded version of a paper presented at E-Performance and Plug-ins, UNSW, 2006.

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http://hdl.handle.net/10453/1526