2.3 Extravagance, Expense and Notoriety in Costume: Gaby Deslys and Parisian Modernity on the American Stage, 1911-1914

Brayshaw, E

2.3 Extravagance, Expense and Notoriety in Costume: Gaby Deslys and Parisian Modernity on the American Stage, 1911-1914

Brayshaw, E

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Publisher:: Bloomsbury Visual Arts
Publication Type:: Chapter
Citation:: Performance Costume New Perspectives, 2020, 1st, pp. 105-118
Issue Date:: 2020-11-12

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Field	Value	Language
dc.contributor.author	Brayshaw, E https://orcid.org/0000-0002-8549-0947
dc.contributor.editor	Pantouvaki, S
dc.contributor.editor	McNeil, P
dc.date.accessioned	2022-01-21T01:31:43Z
dc.date.available	2022-01-21T01:31:43Z
dc.date.issued	2020-11-12
dc.identifier.citation	Performance Costume New Perspectives, 2020, 1st, pp. 105-118
dc.identifier.isbn	1350098795
dc.identifier.isbn	9781350098794
dc.identifier.uri	http://hdl.handle.net/10453/153398
dc.description.abstract	This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance.
dc.format.extent	31
dc.language	en
dc.publisher	Bloomsbury Visual Arts
dc.relation.ispartof	Performance Costume New Perspectives
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	2.3 Extravagance, Expense and Notoriety in Costume: Gaby Deslys and Parisian Modernity on the American Stage, 1911-1914
dc.type	Chapter
utslib.citation.edition	1st
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2022-01-21T01:31:37Z
pubs.edition	1st
pubs.place-of-publication	London
pubs.publication-status	Published
dc.location	London

Abstract:

This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/153398