Photographs, Railways, Partition: domiciled Europeans in the late Raj

Nixon, D

Photographs, Railways, Partition: domiciled Europeans in the late Raj

Nixon, D

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Publication Type:: Thesis
Citation:: 2016
Issue Date:: 2016

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Field	Value	Language
dc.contributor.author	Nixon, D https://orcid.org/0000-0001-9352-4396
dc.contributor.editor	Ghosh, D
dc.contributor.editor	Goodall, H
dc.date.accessioned	2022-01-25T03:29:35Z
dc.date.available	2022-01-25T03:29:35Z
dc.date.issued	2016
dc.date.submitted	2015
dc.identifier.citation	2016
dc.identifier.uri	http://hdl.handle.net/10453/153553
dc.description.abstract	This thesis focuses on an analysis of a family narrative that is imbricated with the development of two significant technologies of modernity: photography and the railways. Originally both were a product of and complementary to the colonial project which brought with it new experiences and, through the consequences of Partition, fashioned national identities. The subjects created by these technologies were represented in images captured in vernacular photographs. However, over time as technologies were deployed into everyday life their effects reflected the changes taking place in the wider context of colonial India. My account of this time weaves the core biography of Leslie Nixon into a wider historical context to create a narrative that is derived from texts, semi-structured photo elicitation interviews using vernacular photographs (taken between 1910 and 1947) of the domiciled European and AngloIndian communities who lived along the Great Indian Peninsula Railway line in late colonial India. During my research I found little or no mention of photography practiced at an everyday level by long term ‘settlers’ that recorded life outside major cities. My combined reading of family photographs acts as an articulation of and between private, less authorised discourses against (but not counter to) those of the colonial bureaucracy. This raised questions and challenges around how to use family photographs in interviews to elicit accounts of personal experiences of public and very traumatic events like the Partition. I interrogate the stories people tell when presented with an image that resonates with the past and unsettles the present. Through my account I argue that photographs, to some degree, reflect the increasingly unstable colonial boundaries of the day. In addition various accounts by Gurkha soldiers and British officers in the last part of British rule during the Partition contribute a different perspective to the Partition narrative. Engagement with new technologies reflects the way physical space was experienced and managed during the late Raj and the inevitable outcome of colonial rule in the mayhem of Partition.
dc.language	en
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	Photographs, Railways, Partition: domiciled Europeans in the late Raj
dc.type	Thesis
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/DVC (Teaching and Learning)
utslib.copyright.status	closed_access	*
dc.date.updated	2022-01-25T03:28:54Z
pubs.filed-date	2015

Abstract:

This thesis focuses on an analysis of a family narrative that is imbricated with the development of two significant technologies of modernity: photography and the railways. Originally both were a product of and complementary to the colonial project which brought with it new experiences and, through the consequences of Partition, fashioned national identities. The subjects created by these technologies were represented in images captured in vernacular photographs. However, over time as technologies were deployed into everyday life their effects reflected the changes taking place in the wider context of colonial India. My account of this time weaves the core biography of Leslie Nixon into a wider historical context to create a narrative that is derived from texts, semi-structured photo elicitation interviews using vernacular photographs (taken between 1910 and 1947) of the domiciled European and AngloIndian communities who lived along the Great Indian Peninsula Railway line in late colonial India. During my research I found little or no mention of photography practiced at an everyday level by long term ‘settlers’ that recorded life outside major cities. My combined reading of family photographs acts as an articulation of and between private, less authorised discourses against (but not counter to) those of the colonial bureaucracy. This raised questions and challenges around how to use family photographs in interviews to elicit accounts of personal experiences of public and very traumatic events like the Partition. I interrogate the stories people tell when presented with an image that resonates with the past and unsettles the present. Through my account I argue that photographs, to some degree, reflect the increasingly unstable colonial boundaries of the day. In addition various accounts by Gurkha soldiers and British officers in the last part of British rule during the Partition contribute a different perspective to the Partition narrative. Engagement with new technologies reflects the way physical space was experienced and managed during the late Raj and the inevitable outcome of colonial rule in the mayhem of Partition.

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http://hdl.handle.net/10453/153553