Writing Without Frames

Ferris, G

Writing Without Frames

Ferris, G

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Publisher:: Palgrave Macmillan
Publication Type:: Chapter
Citation:: Creative Writing Practice Reflections on Form and Process, 2021, pp. 147-159
Issue Date:: 2021-11-13

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Field	Value	Language
dc.contributor.author	Ferris, G https://orcid.org/0000-0001-7140-4764
dc.date.accessioned	2022-03-28T04:25:36Z
dc.date.available	2022-03-28T04:25:36Z
dc.date.issued	2021-11-13
dc.identifier.citation	Creative Writing Practice Reflections on Form and Process, 2021, pp. 147-159
dc.identifier.isbn	3030736733
dc.identifier.isbn	9783030736736
dc.identifier.uri	http://hdl.handle.net/10453/155632
dc.description.abstract	It is in the name… Screenwriting. As we head into the third decade of the century, concepts and techniques of writing for the screen are being rewritten and adapted to new forms of durational storytelling that have expanded beyond the single screen, to the multiscreen, to the third dimension, to the panoramic, and into the surround, that is 360 degrees. This has been most apparent in industry pushes towards immersive technologies, for instance, virtual reality and associated sensory technologies including haptics (touch), thermoreceptors (temperature), and olfactory devices (smell). This chapter serves as a primer in writing beyond the frame, for emerging variation of the screens and associated sensorial technologies, historical precedents, contemporary examples of immersion, and a specific focus on the author’s recent immersive narratives.
dc.format.extent	16
dc.language	en
dc.publisher	Palgrave Macmillan
dc.relation.ispartof	Creative Writing Practice Reflections on Form and Process
dc.relation.isbasedon	10.1007/978-3-030-73674-3_10
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	Writing Without Frames
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2022-03-28T04:25:34Z
pubs.place-of-publication	UK
pubs.publication-status	Published
dc.location	UK

Abstract:

It is in the name… Screenwriting. As we head into the third decade of the century, concepts and techniques of writing for the screen are being rewritten and adapted to new forms of durational storytelling that have expanded beyond the single screen, to the multiscreen, to the third dimension, to the panoramic, and into the surround, that is 360 degrees. This has been most apparent in industry pushes towards immersive technologies, for instance, virtual reality and associated sensory technologies including haptics (touch), thermoreceptors (temperature), and olfactory devices (smell). This chapter serves as a primer in writing beyond the frame, for emerging variation of the screens and associated sensorial technologies, historical precedents, contemporary examples of immersion, and a specific focus on the author’s recent immersive narratives.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/155632