Western Dualism and the Regulation of Cultural Production

Macmillan, F

Western Dualism and the Regulation of Cultural Production

Macmillan, F

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Publisher:: Brill
Publication Type:: Journal Article
Citation:: Brill Research Perspectives in Art and Law, 2021, 4, (4), pp. 1-116
Issue Date:: 2021-08-05

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Field	Value	Language
dc.contributor.author	Macmillan, F
dc.date.accessioned	2022-06-17T04:13:37Z
dc.date.available	2022-06-17T04:13:37Z
dc.date.issued	2021-08-05
dc.identifier.citation	Brill Research Perspectives in Art and Law, 2021, 4, (4), pp. 1-116
dc.identifier.issn	2468-4295
dc.identifier.issn	2468-4309
dc.identifier.uri	http://hdl.handle.net/10453/158228
dc.description.abstract	<jats:title>Abstract</jats:title> <jats:p>This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold.</jats:p>
dc.language	en
dc.publisher	Brill
dc.relation.ispartof	Brill Research Perspectives in Art and Law
dc.relation.isbasedon	10.1163/24684309-12340012
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	Western Dualism and the Regulation of Cultural Production
dc.type	Journal Article
utslib.citation.volume	4
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Law
utslib.copyright.status	closed_access	*
dc.date.updated	2022-06-17T04:13:35Z
pubs.issue	4
pubs.publication-status	Published
pubs.volume	4
utslib.citation.issue	4

Abstract:

Abstract This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/158228