Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990)

Manasseh, C

Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990)

Manasseh, C

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Publisher:: Fine Arts Network, University of Melbourne
Publication Type:: Journal Article
Citation:: electronic Melbourne art journal, 2007, - (2), pp. 1 - 13
Issue Date:: 2007-01

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Field	Value	Language
dc.contributor.author	Manasseh, C	en_US
dc.date.issued	2007-01	en_US
dc.identifier.citation	electronic Melbourne art journal, 2007, - (2), pp. 1 - 13	en_US
dc.identifier.issn	1835-6656	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16007
dc.description.abstract	This article addresses how and why video art shaped the museum environment for the 21st century. The argument tracks a period of museological innovation between 1968 and 1990. Beginning with the Museum of Modern Art, New York, changes in architectural display and curatorial focus are then examined with respect to the Centre George Pompidou, Paris, the Tate Gallery, London and the Art Gallery of New South Wales in Sydney. This research reveals how video art's 'problematic' time-based presence and redefinition of normative spectator positions assisted in the development of modern museum environments suitable for constant modification.	en_US
dc.publisher	Fine Arts Network, University of Melbourne	en_US
dc.relation.ispartof	electronic Melbourne art journal	en_US
dc.title	Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990)	en_US
dc.type	Journal Article
utslib.citation.volume	2	en_US
utslib.citation.volume	-	en_US
utslib.for	1901 Art Theory and Criticism	en_US
utslib.for	1905 Visual Arts and Crafts	en_US
utslib.for	2102 Curatorial and Related Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.issue	2	en_US
pubs.volume	-	en_US

Abstract:

This article addresses how and why video art shaped the museum environment for the 21st century. The argument tracks a period of museological innovation between 1968 and 1990. Beginning with the Museum of Modern Art, New York, changes in architectural display and curatorial focus are then examined with respect to the Centre George Pompidou, Paris, the Tate Gallery, London and the Art Gallery of New South Wales in Sydney. This research reveals how video art's 'problematic' time-based presence and redefinition of normative spectator positions assisted in the development of modern museum environments suitable for constant modification.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/16007