Ambiguity Now

Harrison, M

Ambiguity Now

Harrison, M

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Publisher:: Purdue University
Publication Type:: Journal Article
Citation:: CLC Web: Comparative Literature and Culture, 2010, 12 (4), pp. 1 - 9
Issue Date:: 2010-01

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Field	Value	Language
dc.contributor.author	Harrison, M	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	CLC Web: Comparative Literature and Culture, 2010, 12 (4), pp. 1 - 9	en_US
dc.identifier.issn	1481-4374	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16053
dc.description.abstract	In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch.	en_US
dc.publisher	Purdue University	en_US
dc.relation.ispartof	CLC Web: Comparative Literature and Culture	en_US
dc.relation.isbasedon	10.1088/0004-637X/792/2/111	en_US
dc.title	Ambiguity Now	en_US
dc.type	Journal Article
utslib.citation.volume	4	en_US
utslib.citation.volume	12	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
utslib.for	2001 Communication and Media Studies	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.for	2005 Literary Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/Creative Writing Program
pubs.organisational-group	/University of Technology Sydney/Strength - CPCE - Centre for Creative Practices and the Cultural Economy
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.issue	4	en_US
pubs.volume	12	en_US

Abstract:

In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/16053