Making Space For Art: the culture debate and the studio arts movement in Hong Kong

Cartier, C

Making Space For Art: the culture debate and the studio arts movement in Hong Kong

Cartier, C

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Publisher:: Universite de Reims * Institut de Geographie
Publication Type:: Journal Article
Citation:: Universite de Reims. Institut de Geographie. Travaux, 2007, 1, 129 (130), pp. 101 - 120
Issue Date:: 2007-01

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Field	Value	Language
dc.contributor.author	Cartier, C	en_US
dc.date.issued	2007-01	en_US
dc.identifier.citation	Universite de Reims. Institut de Geographie. Travaux, 2007, 1, 129 (130), pp. 101 - 120	en_US
dc.identifier.issn	0048-7163	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16058
dc.description.abstract	In Hong Kong, the recent emergence of studio arts districts is taking place in the context of public debate over state visions of cultural facilities and creative industries. While government invests in a planned culture district, artists struggle for working space in an environment of volatile rents. To contribute to a critical geography of art, this discussion ,engages the struggle to produce contemporary and alternative art in Hong Kong after 1997 at the theoretical intersection of the production of space, cultural political economy and the Deleuzian idea of art as sensation.	en_US
dc.publisher	Universite de Reims * Institut de Geographie	en_US
dc.relation.ispartof	Universite de Reims. Institut de Geographie. Travaux	en_US
dc.title	Making Space For Art: the culture debate and the studio arts movement in Hong Kong	en_US
dc.type	Journal Article
utslib.citation.volume	130	en_US
utslib.citation.volume	129	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.edition	1	en_US
pubs.issue	130	en_US
pubs.volume	129	en_US

Abstract:

In Hong Kong, the recent emergence of studio arts districts is taking place in the context of public debate over state visions of cultural facilities and creative industries. While government invests in a planned culture district, artists struggle for working space in an environment of volatile rents. To contribute to a critical geography of art, this discussion ,engages the struggle to produce contemporary and alternative art in Hong Kong after 1997 at the theoretical intersection of the production of space, cultural political economy and the Deleuzian idea of art as sensation.

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http://hdl.handle.net/10453/16058