Robot Opera: A Gesamtkunstwerk for the 21st Century

Marynowsky, W; Knowles, J

Robot Opera: A Gesamtkunstwerk for the 21st Century

Marynowsky, W

Knowles, J

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Publisher:: Springer, Cham
Publication Type:: Chapter
Citation:: International Workshop on Cultural Robotics, 2015, 2016, 9549, pp. 143-158
Issue Date:: 2016

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Field	Value	Language
dc.contributor.author	Marynowsky, W https://orcid.org/0000-0002-7286-5527
dc.contributor.author	Knowles, J
dc.contributor.editor	Jeffrey T.K.V. Koh , Belinda J. Dunstan , David Silvera-Tawil , Mari Velonaki,
dc.date.accessioned	2022-11-08T03:11:50Z
dc.date.available	2022-11-08T03:11:50Z
dc.date.issued	2016
dc.identifier.citation	International Workshop on Cultural Robotics, 2015, 2016, 9549, pp. 143-158
dc.identifier.isbn	978-3-319-42944-1
dc.identifier.uri	http://hdl.handle.net/10453/163305
dc.description.abstract	Robot Opera proposes an avant-garde spectacle of performative media that places robots centre stage as signifiers of high culture within a 21st century total art work of the future. This chapter addresses how framing robotic performance as a Gesamtkunstwerk (and its historical ambitions) contributes to the canon of Cultural Robotics. The notion of robotic performance agency is detailed through the history and theories surrounding representations of the robot in popular culture, representations of robots as performance agents and through the dramaturgical concepts explored in Marynowsky’s previous robotic art works.
dc.format.extent	14
dc.language	en
dc.publisher	Springer, Cham
dc.relation.ispartof	International Workshop on Cultural Robotics, 2015
dc.relation.isbasedon	10.1007/978-3-319-42945-8_12
dc.rights	info:eu-repo/semantics/closedAccess
dc.subject.classification	Artificial Intelligence & Image Processing
dc.title	Robot Opera: A Gesamtkunstwerk for the 21st Century
dc.type	Chapter
utslib.citation.volume	9549
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2022-11-08T03:11:49Z
pubs.place-of-publication	Switzerland
pubs.publication-status	Published
pubs.volume	9549
dc.location	Switzerland

Abstract:

Robot Opera proposes an avant-garde spectacle of performative media that places robots centre stage as signifiers of high culture within a 21st century total art work of the future. This chapter addresses how framing robotic performance as a Gesamtkunstwerk (and its historical ambitions) contributes to the canon of Cultural Robotics. The notion of robotic performance agency is detailed through the history and theories surrounding representations of the robot in popular culture, representations of robots as performance agents and through the dramaturgical concepts explored in Marynowsky’s previous robotic art works.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/163305