International Feature Film Co-productions Between Australia and Germany: An Australian Perspective

Wagenfeld, F; Verhoeven, D

International Feature Film Co-productions Between Australia and Germany: An Australian Perspective

Wagenfeld, F Verhoeven, D

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Publisher:: Springer
Publication Type:: Chapter
Citation:: Transnational German Cinema, 2021, pp. 51-68
Issue Date:: 2021-09-01

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Field	Value	Language
dc.contributor.author	Wagenfeld, F
dc.contributor.author	Verhoeven, D https://orcid.org/0000-0003-3680-3561
dc.date.accessioned	2023-01-16T22:11:44Z
dc.date.available	2023-01-16T22:11:44Z
dc.date.issued	2021-09-01
dc.identifier.citation	Transnational German Cinema, 2021, pp. 51-68
dc.identifier.isbn	978-3-030-72916-5
dc.identifier.uri	http://hdl.handle.net/10453/165042
dc.description.abstract	Despite evident and mutual benefits, international co-production treaties are an under utilised aspect of Australia’s screen production slate. This chapter explores the various reasons why this is the case through the lens of Australian-German co-productions. The research finds that, in Australia, there are heterogenous reasons for this operative reluctance that stem from the specific (finding the right partners), the structural (the complexity of working in different financing and production jurisdictions), to the systemic (the impetus for national cinemas has historically favoured an inward-looking film production culture). In addition to these reasons, we may expect additional challenges and, potentially, unexpected opportunities resulting from the global COVD-19 pandemic.
dc.format.extent	11
dc.language	en
dc.publisher	Springer
dc.relation.ispartof	Transnational German Cinema
dc.relation.isbasedon	10.1007/978-3-030-72917-2_4
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	International Feature Film Co-productions Between Australia and Germany: An Australian Perspective
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2023-01-16T22:11:41Z
pubs.place-of-publication	Switzerland
pubs.publication-status	Published
dc.location	Switzerland

Abstract:

Despite evident and mutual benefits, international co-production treaties are an under utilised aspect of Australia’s screen production slate. This chapter explores the various reasons why this is the case through the lens of Australian-German co-productions. The research finds that, in Australia, there are heterogenous reasons for this operative reluctance that stem from the specific (finding the right partners), the structural (the complexity of working in different financing and production jurisdictions), to the systemic (the impetus for national cinemas has historically favoured an inward-looking film production culture). In addition to these reasons, we may expect additional challenges and, potentially, unexpected opportunities resulting from the global COVD-19 pandemic.

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http://hdl.handle.net/10453/165042