Performing Objecthood: Museums, Architecture, and the Play of Artefactuality

Stead, NJ

Performing Objecthood: Museums, Architecture, and the Play of Artefactuality

Stead, NJ

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Publisher:: Routledge
Publication Type:: Journal Article
Citation:: Performance Research, 2008, 12 (4), pp. 37 - 46
Issue Date:: 2008-01

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Full metadata record

Field	Value	Language
dc.contributor.author	Stead, NJ	en_US
dc.date.issued	2008-01	en_US
dc.identifier.citation	Performance Research, 2008, 12 (4), pp. 37 - 46	en_US
dc.identifier.issn	1352-8165	en_US
dc.identifier.uri	http://hdl.handle.net/10453/1664
dc.description.abstract	After a decade of literal placement where the object took centre stage, often to reinforce the belief that art was a myth, the object now functions differently. Instead of acting as a sign, foil or tombstone, the object derives its power form being the only solid thing in a world of individualised flux and unreality.	en_US
dc.publisher	Routledge	en_US
dc.relation.ispartof	Performance Research	en_US
dc.relation.isbasedon	10.1080/13528160701822619	en_US
dc.subject.classification	Drama & Theater	en_US
dc.title	Performing Objecthood: Museums, Architecture, and the Play of Artefactuality	en_US
dc.type	Journal Article
utslib.citation.volume	4	en_US
utslib.citation.volume	12	en_US
utslib.for	1901 Art Theory and Criticism	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.issue	4	en_US
pubs.volume	12	en_US

Abstract:

After a decade of literal placement where the object took centre stage, often to reinforce the belief that art was a myth, the object now functions differently. Instead of acting as a sign, foil or tombstone, the object derives its power form being the only solid thing in a world of individualised flux and unreality.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/1664