We Are The Trees

Gothe, J; Steffensen, V; Hong, V; Preece, P; Mann, N; Schrieber, M; Bender, C

We Are The Trees

Gothe, J

Steffensen, V Hong, V Preece, P Mann, N Schrieber, M Bender, C

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Publisher:: National Museum Australia
Publication Type:: Creative Work (recorded)
Citation:: Great Southern Land, 2022
Issue Date:: 2022-09-30

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	Gothe_NTRO_2022_supporting documentation.pdf		2.83 MB	Adobe PDF	View/Open

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Field	Value	Language
dc.contributor.author	Gothe, J https://orcid.org/0000-0002-0422-498X
dc.contributor.author	Steffensen, V
dc.contributor.author	Hong, V
dc.contributor.author	Preece, P
dc.contributor.author	Mann, N
dc.contributor.author	Schrieber, M
dc.contributor.author	Bender, C
dc.date.accessioned	2023-03-15T03:45:10Z
dc.date.available	2023-03-15T03:45:10Z
dc.date.issued	2022-09-30
dc.identifier.citation	Great Southern Land, 2022
dc.identifier.uri	http://hdl.handle.net/10453/167348
dc.description.abstract	This video and sound piece has been designed to sit within the National Museum of Australia (NMA) permanent exhibition 'Great Southern Land' contributing to the museum education program as a provocation for conversation with communities and museum attendees. The piece was commissioned following the documenting of the Wurrundjeri led cultural burn in Victoria by Victor Steffensen Jacqueline Gothe Vera Hong and Craig Bender in 2016. This piece written and narrated by Victor Steffensen describes the importance of trees for the wellbeing of people and place through the voice of the trees and is screened in the Vision Theatre. In addition to the Wurrundjeri footage the imagery is gathered from the videography that Vera Hong, Craig Bender and Victor Steffensen have undertaken with Firesticks Alliance with Kuku Thaypan, Kuku Yalanjii, Yorta Yorta, Yuin, Gamilsroi Githabul and Wurrundjeri, The sound composition by Natalia Mann has been created through a collaborative process with Patty Preece and Merindi Schrieber working with the principle of of resonance in response to the images of trees producing a swirling sound scape and composition comprising voice instruments harp and forest sounds alongside the narration.
dc.format	video and sound installation
dc.format.extent	1
dc.language	en
dc.publisher	National Museum Australia
dc.relation.ispartof	Great Southern Land
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	We Are The Trees
dc.type	Creative Work (Recorded)
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - SIC - Strengthening Indigenous Communities
utslib.copyright.status	closed_access	*
pubs.consider-herdc	true
dc.date.updated	2023-03-15T03:45:08Z
pubs.place-of-publication	National Museum Australia
dc.location	National Museum Australia
pubs.patent-number	6:39

Abstract:

This video and sound piece has been designed to sit within the National Museum of Australia (NMA) permanent exhibition 'Great Southern Land' contributing to the museum education program as a provocation for conversation with communities and museum attendees. The piece was commissioned following the documenting of the Wurrundjeri led cultural burn in Victoria by Victor Steffensen Jacqueline Gothe Vera Hong and Craig Bender in 2016. This piece written and narrated by Victor Steffensen describes the importance of trees for the wellbeing of people and place through the voice of the trees and is screened in the Vision Theatre. In addition to the Wurrundjeri footage the imagery is gathered from the videography that Vera Hong, Craig Bender and Victor Steffensen have undertaken with Firesticks Alliance with Kuku Thaypan, Kuku Yalanjii, Yorta Yorta, Yuin, Gamilsroi Githabul and Wurrundjeri, The sound composition by Natalia Mann has been created through a collaborative process with Patty Preece and Merindi Schrieber working with the principle of of resonance in response to the images of trees producing a swirling sound scape and composition comprising voice instruments harp and forest sounds alongside the narration.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/167348