Art and Dress

McNeil, PK

Art and Dress

McNeil, PK

Permalink

Publisher:: Berg
Publication Type:: Chapter
Citation:: Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe, 2010, 1, pp. 522 - 527
Issue Date:: 2010-01

Closed Access

	Filename	Description	Size
	2010000314OK.pdf		1.76 MB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	McNeil, PK https://orcid.org/0000-0002-2151-4196	en_US
dc.contributor.editor	Skov, L	en_US
dc.date.issued	2010-01	en_US
dc.identifier.citation	Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe, 2010, 1, pp. 522 - 527	en_US
dc.identifier.isbn	978-1-84788-397-1	en_US
dc.identifier.uri	http://hdl.handle.net/10453/16796
dc.description.abstract	AAcademic art and popular dress emerge from different struc~ rural and intellectual systems. Nonetheless, fashion in the early twenty~first century often appears to be like art and art to be like fashion. Artists arc viewed as the ideal collaborators with fashion designers and the fashion industry, injecting the type of cultural capital they embody into products that have become synonymous with innovation and novelty. Artises throughout the twentieth century intervened in fashion culture, their antifash~ ion statements ranging from the oppositional critique of futur~ ism and vorticism to the stylish uniforms proposed and worn by contempoeary artist Andrea Zittel (1965-).	en_US
dc.publisher	Berg	en_US
dc.relation.ispartof	Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe	en_US
dc.title	Art and Dress	en_US
dc.type	Chapter
utslib.location	Oxford and New York	en_US
utslib.for	120301 Design History and Theory	en_US
utslib.citation.edition	1	en_US
dc.location.activity	Melbourne, Australia
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.edition	1	en_US
pubs.place-of-publication	Oxford and New York	en_US

Abstract:

AAcademic art and popular dress emerge from different struc~ rural and intellectual systems. Nonetheless, fashion in the early twenty~first century often appears to be like art and art to be like fashion. Artists arc viewed as the ideal collaborators with fashion designers and the fashion industry, injecting the type of cultural capital they embody into products that have become synonymous with innovation and novelty. Artises throughout the twentieth century intervened in fashion culture, their antifash~ ion statements ranging from the oppositional critique of futur~ ism and vorticism to the stylish uniforms proposed and worn by contempoeary artist Andrea Zittel (1965-).

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/16796