There Is No Such Thing as Children's Music

Giuffre, L

There Is No Such Thing as Children's Music

Giuffre, L

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Publisher:: Taylor & Francis
Publication Type:: Chapter
Citation:: Popular Music and Parenting, 2022, pp. 14-29
Issue Date:: 2022-08-23

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Field	Value	Language
dc.contributor.author	Giuffre, L
dc.date.accessioned	2023-09-29T21:51:42Z
dc.date.available	2023-09-29T21:51:42Z
dc.date.issued	2022-08-23
dc.identifier.citation	Popular Music and Parenting, 2022, pp. 14-29
dc.identifier.uri	http://hdl.handle.net/10453/172398
dc.description.abstract	This chapter considers the concept of ‘children’s music’ or ‘music for children’ is problematised and used as a way to question why and how children should ever be alienated from conversations about popular music generally. The main proposition here, that there is ‘no such thing as children’s music’, but instead, that anyone can enjoy any music, sets up the conversation about expectations relating to industry, cultural exchanges and the popular music market.
dc.format.extent	7
dc.language	en
dc.publisher	Taylor & Francis
dc.relation.ispartof	Popular Music and Parenting
dc.relation.isbasedon	10.4324/9780429350924-2
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	There Is No Such Thing as Children's Music
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2023-09-29T21:51:40Z
pubs.place-of-publication	UK
pubs.publication-status	Published
dc.location	UK

Abstract:

This chapter considers the concept of ‘children’s music’ or ‘music for children’ is problematised and used as a way to question why and how children should ever be alienated from conversations about popular music generally. The main proposition here, that there is ‘no such thing as children’s music’, but instead, that anyone can enjoy any music, sets up the conversation about expectations relating to industry, cultural exchanges and the popular music market.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/172398