"Looking for Eileen"

Funder, A

"Looking for Eileen"

Funder, A

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Publisher:: THE OBSERVER, UK
Publication Type:: Creative Work (written)
Citation:: 2023, pp. 17-19
Issue Date:: 2023-07-30

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Field	Value	Language
dc.contributor.author	Funder, A https://orcid.org/0000-0002-0469-1940
dc.date.accessioned	2023-10-13T04:12:57Z
dc.date.available	2023-10-13T04:12:57Z
dc.date.issued	2023-07-30
dc.identifier.citation	2023, pp. 17-19
dc.identifier.uri	http://hdl.handle.net/10453/172665
dc.description.abstract	This is a piece of longform journalism which builds on and extends my practice in the genre (see, eg. https://www.themonthly.com.au/issue/2019/december/anna-funder/stasiland-now), and represents in a broadly accessible form the foundational thinking and exploratory practice behind the monograph Wifedom. The work extends current thinking in the areas of Orwell studies and biographical writing, and builds on a growing body of work reconsidering the reputations of prominent male arts practitioners in history (see, eg. Claire Dederer, Rebecca Solnit, Adrienne Rich, Roxane Gay, Drusilla Modjeska) as well as feminist philosophy (especially Kate Manne).
dc.format	Longform Creative Journalism
dc.format.extent	1
dc.language	en
dc.publisher	THE OBSERVER, UK
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	"Looking for Eileen"
dc.type	Creative Work (Written)
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/Creative Writing Program
utslib.copyright.status	closed_access	*
pubs.consider-herdc	false
dc.date.updated	2023-10-13T04:12:56Z
pubs.place-of-publication	LONDON
dc.location	LONDON

Abstract:

This is a piece of longform journalism which builds on and extends my practice in the genre (see, eg. https://www.themonthly.com.au/issue/2019/december/anna-funder/stasiland-now), and represents in a broadly accessible form the foundational thinking and exploratory practice behind the monograph Wifedom. The work extends current thinking in the areas of Orwell studies and biographical writing, and builds on a growing body of work reconsidering the reputations of prominent male arts practitioners in history (see, eg. Claire Dederer, Rebecca Solnit, Adrienne Rich, Roxane Gay, Drusilla Modjeska) as well as feminist philosophy (especially Kate Manne).

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/172665