Installation by TERROIR

Reinmuth, G; Balmforth, S; Blythe, R

Installation by TERROIR

Reinmuth, G

Balmforth, S Blythe, R

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Publisher:: National Portrait Gallery
Publication Type:: Exhibition
Citation:: Portraits + Architecture

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Full metadata record

Field	Value	Language
dc.contributor.author	Reinmuth, G https://orcid.org/0000-0001-7234-0168	en_US
dc.contributor.author	Balmforth, S	en_US
dc.contributor.author	Blythe, R	en_US
dc.contributor.editor	Christopher Chapman	en_US
dc.date	2009-09-11	en_US
dc.identifier.citation	Portraits + Architecture	en_US
dc.identifier.uri	http://hdl.handle.net/10453/17452
dc.description.abstract	The National Portrait Gallery exhibition Portraits + Architecture explored the relationship between creative thinking and identity, incorporating new photographic portraits of seven leading Australian architect teams with commissioned photographic portraits by seven Australian photographers. The architect teams are known for their contemporary and highly distinctive work. They have made significant contributions to Australian architecture and design culture. The photographers work across a spectrum of fine art, commercial, and design practice. Each architect team was asked to create an installation that reflected their creative philosophy. TERROIR believe that the practice of architecture is the production of knowledge. The team's architectural projects therefore included the 'discussions, lectures, research, exhibitions and explorations that work through the issues relevant to each project'. TERROIR collaborated with artist John Vella to create a screen-based installation for the exhibition which looped through a range of conversations on architecture and practice thus contributing a major piece of primary source material on their practice. Significance exists in the creation of an original work which illuminated the collaborative practices of TERROIR in both video and photographic form. The potential of collaboration between complementary artistic practices is also evident in the blurred authorship of a work between three architects, a videographer and photographer.	en_US
dc.publisher	National Portrait Gallery	en_US
dc.relation.ispartof	Portraits + Architecture	en_US
dc.title	Installation by TERROIR	en_US
dc.type	Exhibition
utslib.location	National Portrait Gallery, Canberra	en_US
utslib.location.activity	http://www.portrait.gov.au/exhibit/architecture/architecture.html	en_US
utslib.for	1201 Architecture	en_US
dc.location.activity	http://www.portrait.gov.au/exhibit/architecture/architecture.html	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.place-of-publication	National Portrait Gallery, Canberra	en_US
pubs.start-date	2009-09-11	en_US

Abstract:

The National Portrait Gallery exhibition Portraits + Architecture explored the relationship between creative thinking and identity, incorporating new photographic portraits of seven leading Australian architect teams with commissioned photographic portraits by seven Australian photographers. The architect teams are known for their contemporary and highly distinctive work. They have made significant contributions to Australian architecture and design culture. The photographers work across a spectrum of fine art, commercial, and design practice. Each architect team was asked to create an installation that reflected their creative philosophy. TERROIR believe that the practice of architecture is the production of knowledge. The team's architectural projects therefore included the 'discussions, lectures, research, exhibitions and explorations that work through the issues relevant to each project'. TERROIR collaborated with artist John Vella to create a screen-based installation for the exhibition which looped through a range of conversations on architecture and practice thus contributing a major piece of primary source material on their practice. Significance exists in the creation of an original work which illuminated the collaborative practices of TERROIR in both video and photographic form. The potential of collaboration between complementary artistic practices is also evident in the blurred authorship of a work between three architects, a videographer and photographer.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/17452