Pandemedia: How Covid changed journalism Tracey Kirkland, Gavin Fang (Eds) 2023. Clayton, Victoria: Monash University Publishing, 320 pp.,

Bonfiglioli, C

Pandemedia: How Covid changed journalism Tracey Kirkland, Gavin Fang (Eds) 2023. Clayton, Victoria: Monash University Publishing, 320 pp.,

Bonfiglioli, C

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Publisher:: Intellect
Publication Type:: Book Review
Citation:: Australian Journalism Review, 2023, 45, (2), pp. 277-279
Issue Date:: 2023-10-27

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Field	Value	Language
dc.contributor.author	Bonfiglioli, C https://orcid.org/0000-0002-9634-7302
dc.date.accessioned	2024-01-28T07:56:21Z
dc.date.available	2023-07-25
dc.date.available	2024-01-28T07:56:21Z
dc.date.issued	2023-10-27
dc.identifier.citation	Australian Journalism Review, 2023, 45, (2), pp. 277-279
dc.identifier.issn	2517-620X
dc.identifier.issn	2517-620X
dc.identifier.uri	http://hdl.handle.net/10453/174974
dc.description.abstract	Pandemedia: How COVID Changed Journalism is a masterclass in a book. Edited by Australian Broadcasting Corporation (ABC) journalists Tracey Kirkland and Gavin Fang, it features pandemic reflections from leading Australian journalists. Stan Grant, Michelle Grattan, Alan Kohler, Lisa Millar, David Speers and Norman Swan are among the 38 contributors. Such an expansive text is challenging to review without cataloguing its highlights, of which there are many. In Part 1, ‘More than the Headlines’, Kirkland, ABC’s national news gathering editor during the pandemic, documents how COVID rose rapidly up the news agenda but reporting was hampered by economic constraints and misinformation. Eminent political journalist Michelle Grattan discusses trust, responsibility and experts, while Andrew Lund critiques the state premiers’ daily press conferences. Safety, hygiene and distancing measures are detailed by Lisa Millar, as are the challenges of working from home, audience solidarity and the need to provide light relief. ...
dc.language	en
dc.publisher	Intellect
dc.relation.ispartof	Australian Journalism Review
dc.relation.isbasedon	10.1386/ajr_00136_5
dc.rights	info:eu-repo/semantics/embargoedAccess
dc.subject	1903 Journalism and Professional Writing, 2001 Communication and Media Studies
dc.subject.classification	3602 Creative and professional writing
dc.subject.classification	4701 Communication and media studies
dc.title	Pandemedia: How Covid changed journalism Tracey Kirkland, Gavin Fang (Eds) 2023. Clayton, Victoria: Monash University Publishing, 320 pp.,
dc.type	Book review
utslib.citation.volume	45
utslib.location.activity	Australia
utslib.for	1903 Journalism and Professional Writing
utslib.for	2001 Communication and Media Studies
pubs.organisational-group	University of Technology Sydney
pubs.organisational-group	University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	University of Technology Sydney/Faculty of Arts and Social Sciences/Journalism Program
utslib.copyright.status	embargoed	*
pubs.consider-herdc	true
utslib.copyright.embargo	2024-11-06T00:00:00+1000Z
dc.date.updated	2024-01-28T07:56:19Z
pubs.issue	2
pubs.publication-status	Published
pubs.volume	45
utslib.citation.issue	2

Abstract:

Pandemedia: How COVID Changed Journalism is a masterclass in a book. Edited by Australian Broadcasting Corporation (ABC) journalists Tracey Kirkland and Gavin Fang, it features pandemic reflections from leading Australian journalists. Stan Grant, Michelle Grattan, Alan Kohler, Lisa Millar, David Speers and Norman Swan are among the 38 contributors. Such an expansive text is challenging to review without cataloguing its highlights, of which there are many. In Part 1, ‘More than the Headlines’, Kirkland, ABC’s national news gathering editor during the pandemic, documents how COVID rose rapidly up the news agenda but reporting was hampered by economic constraints and misinformation. Eminent political journalist Michelle Grattan discusses trust, responsibility and experts, while Andrew Lund critiques the state premiers’ daily press conferences. Safety, hygiene and distancing measures are detailed by Lisa Millar, as are the challenges of working from home, audience solidarity and the need to provide light relief. ...

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http://hdl.handle.net/10453/174974