Drawing Water II

Gothe, J; Gwilt, ID

Drawing Water II

Gothe, J

Gwilt, ID

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Publisher:: Centre for Media Arts Innovation, UTS
Publication Type:: Exhibition
Citation:: Memory Flows: Rivers, Creeks and The Great Artesian Basin

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Field	Value	Language
dc.contributor.author	Gothe, J https://orcid.org/0000-0002-0422-498X	en_US
dc.contributor.author	Gwilt, ID	en_US
dc.contributor.editor	Kouyoumdjian, S	en_US
dc.contributor.editor	Neumark, N	en_US
dc.contributor.editor	Turnbull, D	en_US
dc.date	2010-05-14	en_US
dc.identifier.citation	Memory Flows: Rivers, Creeks and The Great Artesian Basin	en_US
dc.identifier.isbn	978-0-9808082-0-9	en_US
dc.identifier.uri	http://hdl.handle.net/10453/17596
dc.description.abstract	Memory Flows, a project of the Centre for Media Arts and Innovation, UTS, culminated in an exhibition entitled 'Memory Flows: rivers, creeks and the great artesian basin' which examined the concepts of 'water, flows and memory'. Curated by Sophia Kouyoumdjian, Norie Neumark and Deb Turnbull, it featured fifteen media artworks by twenty CMAI members and affiliated artists: Ian Andrews, Chris Bowman, Chris Caines, Damian Castaldi, Sherre DeLys, Clement Girault, Jacqueline Gothe, Ian Gwilt, Nigel Helyer, Megan Heyward, Neil Jenkins, Solange Kershaw, Roger Mills, Maria Miranda, Norie Neumark, Shannon O'Neill, Greg Shapley, Victor Steffensen, Jen Teo and Jes Tyrrell. The exhibition, open for 15 days over two months with a public forum on June 20, included video and audio installations, interactive media works, mobile devices, projections on surfaces and through water, and an array of river related artworks and artefacts. Audience numbers totalled 2,700 visitors. 'Drawing Water II' is a collaborative work by Ian Gwilt and me. Using drawings of Sydney Harbour waterways, an animated projection with an accompanying sound design was developed that allowed the viewer an immersive experience of walking country and provided an understanding of the landforms and waterways that make up the Sydney Harbour from the Pacific Ocean to the Blue Mountains. This project is part of an ongoing research project, 'Drawing Country, that advocates an examination of ways to enhance connectedness and connection to place through visual communication. Memory Flows 2009-2010, a distributed media art project of the CMAI, was funded by the Inter-Arts Board of the Australia Council for the Arts.	en_US
dc.publisher	Centre for Media Arts Innovation, UTS	en_US
dc.relation.ispartof	Memory Flows: Rivers, Creeks and The Great Artesian Basin	en_US
dc.title	Drawing Water II	en_US
dc.type	Exhibition
utslib.location	Armory Gallery, Sydney Olympic Park	en_US
utslib.for	120307 Visual Communication Design (incl. Graphic Design)	en_US
utslib.for	120304 Digital and Interaction Design	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.place-of-publication	Armory Gallery, Sydney Olympic Park	en_US
pubs.start-date	2010-05-14	en_US

Abstract:

Memory Flows, a project of the Centre for Media Arts and Innovation, UTS, culminated in an exhibition entitled 'Memory Flows: rivers, creeks and the great artesian basin' which examined the concepts of 'water, flows and memory'. Curated by Sophia Kouyoumdjian, Norie Neumark and Deb Turnbull, it featured fifteen media artworks by twenty CMAI members and affiliated artists: Ian Andrews, Chris Bowman, Chris Caines, Damian Castaldi, Sherre DeLys, Clement Girault, Jacqueline Gothe, Ian Gwilt, Nigel Helyer, Megan Heyward, Neil Jenkins, Solange Kershaw, Roger Mills, Maria Miranda, Norie Neumark, Shannon O'Neill, Greg Shapley, Victor Steffensen, Jen Teo and Jes Tyrrell. The exhibition, open for 15 days over two months with a public forum on June 20, included video and audio installations, interactive media works, mobile devices, projections on surfaces and through water, and an array of river related artworks and artefacts. Audience numbers totalled 2,700 visitors. 'Drawing Water II' is a collaborative work by Ian Gwilt and me. Using drawings of Sydney Harbour waterways, an animated projection with an accompanying sound design was developed that allowed the viewer an immersive experience of walking country and provided an understanding of the landforms and waterways that make up the Sydney Harbour from the Pacific Ocean to the Blue Mountains. This project is part of an ongoing research project, 'Drawing Country, that advocates an examination of ways to enhance connectedness and connection to place through visual communication. Memory Flows 2009-2010, a distributed media art project of the CMAI, was funded by the Inter-Arts Board of the Australia Council for the Arts.

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http://hdl.handle.net/10453/17596