A Filmmaking Research Continuum

Kerrigan, S; Frankham, B; Verdon, J

A Filmmaking Research Continuum

Kerrigan, S Frankham, B

Verdon, J

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Publisher:: Aalborg University
Publication Type:: Journal Article
Citation:: Academic Quarter | Akademisk kvarter, pp. 144-157

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Field	Value	Language
dc.contributor.author	Kerrigan, S
dc.contributor.author	Frankham, B https://orcid.org/0000-0002-7923-0364
dc.contributor.author	Verdon, J
dc.date.accessioned	2024-09-02T06:13:34Z
dc.date.available	2024-09-02T06:13:34Z
dc.identifier.citation	Academic Quarter \| Akademisk kvarter, pp. 144-157
dc.identifier.issn	1904-0008
dc.identifier.uri	http://hdl.handle.net/10453/180591
dc.description.abstract	<jats:p>Exploring aspects of the development of filmmaking research within the Academy over past decades, this article focuses on creative practice-based methods and the establishment of filmmaking as a legitimate research endeavour. It delves into the nuances of filmmaking research methodologies, specifically the rearticulation and repositioning of research practices to encompass both the work of filmmaking production and further filmmaking engagement with its reception. The importance of research statements in elucidating scholarly contributions made by films and other screen works, like scripts and video essays, is emphasised, alongside discussions of peer-review processes and the role of creative practice research journals in fostering critical dialogue within the filmmaking research community. Despite ongoing tensions between academic and industry requirements, the article argues for the progress of filmmaking research as a distinctive discipline with distinct methodologies, highlighting the need for continual refinement in quality assessment metrics to reflect the evolving nature of the field. </jats:p>
dc.language	en
dc.publisher	Aalborg University
dc.relation.ispartof	Academic Quarter \| Akademisk kvarter
dc.relation.isbasedon	10.54337/academicquarter.i27.8833
dc.rights	info:eu-repo/semantics/openAccess
dc.title	A Filmmaking Research Continuum
dc.type	Journal Article
pubs.organisational-group	University of Technology Sydney
pubs.organisational-group	University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	open_access	*
dc.rights.license	This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0). To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.date.updated	2024-09-02T06:13:33Z
pubs.publication-status	Published online

Abstract:

Exploring aspects of the development of filmmaking research within the Academy over past decades, this article focuses on creative practice-based methods and the establishment of filmmaking as a legitimate research endeavour. It delves into the nuances of filmmaking research methodologies, specifically the rearticulation and repositioning of research practices to encompass both the work of filmmaking production and further filmmaking engagement with its reception. The importance of research statements in elucidating scholarly contributions made by films and other screen works, like scripts and video essays, is emphasised, alongside discussions of peer-review processes and the role of creative practice research journals in fostering critical dialogue within the filmmaking research community. Despite ongoing tensions between academic and industry requirements, the article argues for the progress of filmmaking research as a distinctive discipline with distinct methodologies, highlighting the need for continual refinement in quality assessment metrics to reflect the evolving nature of the field.

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http://hdl.handle.net/10453/180591