| Field |
Value |
Language |
|
dc.contributor.author |
Kelly, T |
|
|
dc.date.accessioned |
2024-11-27T04:02:53Z |
|
|
dc.date.available |
2024-11-27T04:02:53Z |
|
|
dc.date.issued |
2024-10-01 |
|
|
dc.identifier.citation |
International Journal of Music Business Research, 2024, 13, (2), pp. 49-62 |
|
|
dc.identifier.issn |
2227-5789 |
|
|
dc.identifier.issn |
2227-5789 |
|
|
dc.identifier.uri |
http://hdl.handle.net/10453/182116
|
|
|
dc.description.abstract |
<jats:title>Abstract</jats:title>
<jats:p>The global consolidation and platformitisation of recorded music have attracted attention to changes in local artist representation in national sales charts and, more broadly, to the diversity of nationalities within recorded music markets. Global platform distribution has been perceived to aid local music economies and the diversity of cultural production. This article quantitatively analyses the annual Australian top 100 single and album charts 2000–2023 to determine Australian artist representation, Indigenous artist representation and diversity of nationality over the period. The data reveals, contrary to propositions of glocalisation and internationalisation, that Australian and non-Anglo artist representation has declined significantly, while North American and British artists have increased their presence in the Australian charts. It also finds that Indigenous chart representation over the period is low, stable and in line with population ratios. The data raises issues for artists, companies, policy makers and consumers in the Australian music industries.</jats:p> |
|
|
dc.language |
en |
|
|
dc.publisher |
De Gruyter |
|
|
dc.relation.ispartof |
International Journal of Music Business Research |
|
|
dc.relation.isbasedon |
10.2478/ijmbr-2024-0008 |
|
|
dc.rights |
info:eu-repo/semantics/openAccess |
|
|
dc.subject |
1503 Business and Management, 1505 Marketing, 1904 Performing Arts and Creative Writing |
|
|
dc.subject.classification |
3506 Marketing |
|
|
dc.subject.classification |
3603 Music |
|
|
dc.title |
Down, and Under Pressure: The Decline of Local and Non-Anglo Best-Selling Recording Artists in Australia 2000–2023: Submitted to the International Journal of Music Business Research 14.06.24. |
|
|
dc.type |
Journal Article |
|
|
utslib.citation.volume |
13 |
|
|
utslib.for |
1503 Business and Management |
|
|
utslib.for |
1505 Marketing |
|
|
utslib.for |
1904 Performing Arts and Creative Writing |
|
|
pubs.organisational-group |
University of Technology Sydney |
|
|
pubs.organisational-group |
University of Technology Sydney/Faculty of Arts and Social Sciences |
|
|
pubs.organisational-group |
University of Technology Sydney/Faculty of Arts and Social Sciences/School of Communication |
|
|
utslib.copyright.status |
open_access |
* |
|
dc.rights.license |
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0). To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
|
dc.date.updated |
2024-11-27T04:02:51Z |
|
|
pubs.issue |
2 |
|
|
pubs.publication-status |
Published |
|
|
pubs.volume |
13 |
|
|
utslib.citation.issue |
2 |
|
