Brilliant Care and POSH (Positive Organisational Scholarship in Healthcare).

Doran, B; Dadich, A; Boydell, K; Swan, A; Habak, S; Watfern, C; Vaughan, P

Brilliant Care and POSH (Positive Organisational Scholarship in Healthcare).

Doran, B

Dadich, A Boydell, K Swan, A Habak, S Watfern, C Vaughan, P

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Publication Type:: Event
Citation:: Liverpool Hospital

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Field	Value	Language
dc.contributor.author	Doran, B https://orcid.org/0000-0003-3951-4546
dc.contributor.author	Dadich, A
dc.contributor.author	Boydell, K
dc.contributor.author	Swan, A
dc.contributor.author	Habak, S
dc.contributor.author	Watfern, C
dc.contributor.author	Vaughan, P
dc.date	2023-10-06
dc.date.accessioned	2025-01-31T23:51:52Z
dc.date.available	2025-01-31T23:51:52Z
dc.identifier.citation	Liverpool Hospital
dc.identifier.uri	http://hdl.handle.net/10453/184771
dc.description.abstract	The Brilliant Aged Care artwork arose in response to research conducted by a multidisciplinary team of representatives of the academic and healthcare sectors within Maridulu Budyari Gumal SPHERE, who collectively aimed to clarify what constitutes brilliant aged care. The challenge was to not only extract the essence of meanings embedded in the research findings, some of which were symbolic, cryptic, or poetic, but to bring them to life in the form of a compelling visual artwork. Artist Armelle Swan reflects on her artistic process below: 'Artistic synthesis seemed the best way to characterise those distillate meanings, as they revealed multiple requirements of ideal care for older people elderly care, across multiple human health domains – the physical, psychological, spiritual, and social. In turn, the artwork reveals a system of shared ideas that can be more readily implemented, providing actual quality of life improvement.' In the original research, participants were asked to select an object which to them epitomised their idea of ‘brilliant aged care’. These objects were subsequently referred to as ‘artefacts’ because the significance and import of their objecthood was now identified. The artwork itself (see below) is a combination of physical objects, some 2D, some 3D, in the form of paintings, assemblages and collage.
dc.format	Art exhibition - installation of mixed media and painting
dc.format.extent	27
dc.language	en
dc.relation.ispartof	Liverpool Hospital
dc.rights	info:eu-repo/semantics/restrictedAccess
dc.title	Brilliant Care and POSH (Positive Organisational Scholarship in Healthcare).
dc.type	Event
utslib.location.activity	Australia
pubs.organisational-group	University of Technology Sydney
pubs.organisational-group	University of Technology Sydney/Provost
pubs.organisational-group	University of Technology Sydney/Provost/TD School
utslib.copyright.status	recently_added	*
pubs.consider-herdc	false
dc.date.updated	2025-01-31T23:51:37Z
pubs.finish-date	2024-02-16
pubs.start-date	2023-10-06

Abstract:

The Brilliant Aged Care artwork arose in response to research conducted by a multidisciplinary team of representatives of the academic and healthcare sectors within Maridulu Budyari Gumal SPHERE, who collectively aimed to clarify what constitutes brilliant aged care. The challenge was to not only extract the essence of meanings embedded in the research findings, some of which were symbolic, cryptic, or poetic, but to bring them to life in the form of a compelling visual artwork. Artist Armelle Swan reflects on her artistic process below: 'Artistic synthesis seemed the best way to characterise those distillate meanings, as they revealed multiple requirements of ideal care for older people elderly care, across multiple human health domains – the physical, psychological, spiritual, and social. In turn, the artwork reveals a system of shared ideas that can be more readily implemented, providing actual quality of life improvement.' In the original research, participants were asked to select an object which to them epitomised their idea of ‘brilliant aged care’. These objects were subsequently referred to as ‘artefacts’ because the significance and import of their objecthood was now identified. The artwork itself (see below) is a combination of physical objects, some 2D, some 3D, in the form of paintings, assemblages and collage.

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http://hdl.handle.net/10453/184771