USING ALGORITHMS TO ANALYSE THE VISUAL PROPERTIES OF A BUILDING’S STYLE
- Publication Type:
- Article
- Issue Date:
- 2007-10-05T02:21:23Z
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Residential development within heritage conservation areas is regulated by Development
Control Plans (DCP) that provide guidelines about the shape and form that new houses,
alterations and additions should take (DIPNR 2004). By understanding that the visual amenity of
streets within a city plays an important role in creating a sense of place and community for its
citizens (Lynch 1960) they attempt to sustain, through regulation, an urban pattern that has
become valued by the community. The visual character of a building within a streetscape is
often associated with the style of its construction - a set of visual characteristics that a group of
buildings might share. These characteristics include the relationship of the parts of the building
to each other, and to the building as a whole, the use of ornament and visible textures, and the
scale of elements within the composition.
Using algorithms developed within robotic research that enable a computer to interpret a visual
environment (similar to those used in medicine and facial recognition for instance), this paper
outlines how algorithms can be used to study the visual properties of the built environment. One
of the methodological qualities of computer visualisation that makes it so useful for a
comparative visual analysis of buildings is that the representational and symbolic meanings of a
buildings style play no part. The organisation of the elements can be analysed without having to
interpret their possible meaning at the beginning of the process.
This paper builds on an established interdisciplinary approach, utilising architectural knowledge
and computer visualisation to evaluate the visual character of detached housing within a
heritage conservation area. The visual environment is analysed using computer software
developed to locate the visual boundaries within a view of a streetscape both as an elevation
and aerial view.
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