Contemporary art and mediatization in Brand PRD

Cartier, C

Contemporary art and mediatization in Brand PRD

Cartier, C

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Publisher:: Routledge
Publication Type:: Chapter
Citation:: Mapping Media In China: Region, Province, Locality, 2012, 1, pp. 126 - 142
Issue Date:: 2012-01

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Field	Value	Language
dc.contributor.author	Cartier, C	en_US
dc.contributor.editor	Sun, W	en_US
dc.contributor.editor	Chio, J	en_US
dc.date.issued	2012-01	en_US
dc.identifier.citation	Mapping Media In China: Region, Province, Locality, 2012, 1, pp. 126 - 142	en_US
dc.identifier.isbn	9780415699396	en_US
dc.identifier.uri	http://hdl.handle.net/10453/22745
dc.description.abstract	The transformati on of cultural production and con sumption in th e era of the information economy has also radically transfo rmed the world of contemporary art. The information techn ologies of globalization have effec ti vely opened up the borders of trad itional art studies' national boundari es. The new mobility of ar1 needs places to go and contemporary art biennales/biennials. have proli fe rated, especially in Asia (Clark 2007). In the context of the neoliberal world economy - the marketization of everyth ing - the new 'world art system' of mutually in fl uential art schools, galleries, aI1 fairs, art magazines, biennalesl biennials, museums and auction houses has led to rapid commodification of contemporary art (Holmes 2004).	en_US
dc.publisher	Routledge	en_US
dc.relation.ispartof	Mapping Media In China: Region, Province, Locality	en_US
dc.title	Contemporary art and mediatization in Brand PRD	en_US
dc.type	Chapter
utslib.location	UK	en_US
utslib.for	1608 Sociology	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	UK	en_US

Abstract:

The transformati on of cultural production and con sumption in th e era of the information economy has also radically transfo rmed the world of contemporary art. The information techn ologies of globalization have effec ti vely opened up the borders of trad itional art studies' national boundari es. The new mobility of ar1 needs places to go and contemporary art biennales/biennials. have proli fe rated, especially in Asia (Clark 2007). In the context of the neoliberal world economy - the marketization of everyth ing - the new 'world art system' of mutually in fl uential art schools, galleries, aI1 fairs, art magazines, biennalesl biennials, museums and auction houses has led to rapid commodification of contemporary art (Holmes 2004).

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/22745