The Autopoiesis of Colour in the Age of Machinic Shine

Titmarsh, M

The Autopoiesis of Colour in the Age of Machinic Shine

Titmarsh, M

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Publisher:: Transdisciplinary Imaging Conference 2012, Sydney, Australia in association with UNSW COFA
Publication Type:: Conference Proceeding
Citation:: The 2nd International Transdisciplinary Imaging Conference Proceedings, 2012, 2 (1), pp. 271 - 282
Issue Date:: 2012-01

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Field	Value	Language
dc.contributor.author	Titmarsh, M https://orcid.org/0000-0002-1033-3867	en_US
dc.contributor.editor	Baker, S	en_US
dc.contributor.editor	thomas, P	en_US
dc.contributor.editor	Varano, A	en_US
dc.date	2012-06-22	en_US
dc.date.issued	2012-01	en_US
dc.identifier.citation	The 2nd International Transdisciplinary Imaging Conference Proceedings, 2012, 2 (1), pp. 271 - 282	en_US
dc.identifier.isbn	978-0-9807186-8-3	en_US
dc.identifier.uri	http://hdl.handle.net/10453/27060
dc.description.abstract	This paper begins by arguing that the enduring mystery of colour has led to an unspoken prejudice against chromatic excessiveness. Yet colour continues to break free of its constraints, it bursts out of the earth and sky in an audacious display of autopoiesis, tempting artists to reveal its power. Colour rather than being seen and calculated, shines out, shimmers and reveals a world in much the same way that thinking does.	en_US
dc.publisher	Transdisciplinary Imaging Conference 2012, Sydney, Australia in association with UNSW COFA	en_US
dc.relation.ispartof	The 2nd International Transdisciplinary Imaging Conference Proceedings	en_US
dc.relation.ispartof	International Conference on Transdisciplinary Imaging at the Intersections of Art, Science and Culture	en_US
dc.title	The Autopoiesis of Colour in the Age of Machinic Shine	en_US
dc.type	Conference Proceeding
utslib.citation.volume	1	en_US
utslib.citation.volume	2	en_US
utslib.location	http://blogs.unsw.edu.au/tiic/2012-transdisciplinary-imaging-conference-proceedings/,	en_US
utslib.location.activity	Australia	en_US
utslib.for	1901 Art Theory and Criticism	en_US
dc.location.activity	Sydney, Australia	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.finish-date	2012-06-23	en_US
pubs.issue	1	en_US
pubs.place-of-publication	http://blogs.unsw.edu.au/tiic/2012-transdisciplinary-imaging-conference-proceedings/,	en_US
pubs.start-date	2012-06-22	en_US
pubs.volume	2	en_US

Abstract:

This paper begins by arguing that the enduring mystery of colour has led to an unspoken prejudice against chromatic excessiveness. Yet colour continues to break free of its constraints, it bursts out of the earth and sky in an audacious display of autopoiesis, tempting artists to reveal its power. Colour rather than being seen and calculated, shines out, shimmers and reveals a world in much the same way that thinking does.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/27060