Understanding interactive systems

Drummond, J

Understanding interactive systems

Drummond, J

Permalink

Publication Type:: Journal Article
Citation:: Organised Sound, 2009, 14 (2), pp. 124 - 133
Issue Date:: 2009-08-01

Closed Access

	Filename	Description	Size
	2012006446OK.pdf		210.06 kB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	Drummond, J https://orcid.org/0000-0002-2146-6171	en_US
dc.date.issued	2009-08-01	en_US
dc.identifier.citation	Organised Sound, 2009, 14 (2), pp. 124 - 133	en_US
dc.identifier.issn	1355-7718	en_US
dc.identifier.uri	http://hdl.handle.net/10453/29344
dc.description.abstract	This article examines differing approaches to the definition, classification and modelling of interactive music systems, drawing together both historical and contemporary practice. Concepts of shared control, collaboration and conversation metaphors, mapping, gestural control, system responsiveness and separation of interface from sound generator are discussed. The article explores the potential of interactive systems to facilitate the creation of dynamic compositional sonic architectures through performance and improvisation. © 2009 Cambridge University Press.	en_US
dc.relation.ispartof	Organised Sound	en_US
dc.relation.isbasedon	10.1017/S1355771809000235	en_US
dc.title	Understanding interactive systems	en_US
dc.type	Journal Article
utslib.citation.volume	2	en_US
utslib.citation.volume	14	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.issue	2	en_US
pubs.publication-status	Published	en_US
pubs.volume	14	en_US

Abstract:

This article examines differing approaches to the definition, classification and modelling of interactive music systems, drawing together both historical and contemporary practice. Concepts of shared control, collaboration and conversation metaphors, mapping, gestural control, system responsiveness and separation of interface from sound generator are discussed. The article explores the potential of interactive systems to facilitate the creation of dynamic compositional sonic architectures through performance and improvisation. © 2009 Cambridge University Press.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/29344