Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion

Monden, M

Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion

Monden, M

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Publisher:: The Japan Foundation
Publication Type:: Journal Article
Citation:: New Voices, 2008, 2 pp. 21 - 40
Issue Date:: 2008-01

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Field	Value	Language
dc.contributor.author	Monden, M https://orcid.org/0000-0001-5672-5279	en_US
dc.date.issued	2008-01	en_US
dc.identifier.citation	New Voices, 2008, 2 pp. 21 - 40	en_US
dc.identifier.issn	1833-5233	en_US
dc.identifier.uri	http://hdl.handle.net/10453/29526
dc.description.abstract	The process of cultural globalisation does not always imply cultural homogenisation. Rather, it can be seen as a process of cultural `glocalisation and hybridisation where cultures continuously interact with and interpret each other to engender a hybrid cultural form. As Arjun Appadurai (1993) contends, neither centrality nor peripherality of culture exists in the context of cultural globalisation. Rather, transnational cultural forms are likely to circulate in multiple directions.	en_US
dc.publisher	The Japan Foundation	en_US
dc.relation.ispartof	New Voices	en_US
dc.title	Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion	en_US
dc.type	Journal Article
utslib.citation.volume	2	en_US
utslib.for	2002 Cultural Studies	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.volume	2	en_US

Abstract:

The process of cultural globalisation does not always imply cultural homogenisation. Rather, it can be seen as a process of cultural `glocalisation and hybridisation where cultures continuously interact with and interpret each other to engender a hybrid cultural form. As Arjun Appadurai (1993) contends, neither centrality nor peripherality of culture exists in the context of cultural globalisation. Rather, transnational cultural forms are likely to circulate in multiple directions.

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http://hdl.handle.net/10453/29526