Tele-Improvisations: Cross Cultural Creativity in Networked Improvisation

Mills, RH

Tele-Improvisations: Cross Cultural Creativity in Networked Improvisation

Mills, RH

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Publisher:: ACM
Publication Type:: Conference Proceeding
Citation:: Proceedings of ACM Conference of Creativity and Cognition, 2011, pp. 465 - 466
Issue Date:: 2011

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Field	Value	Language
dc.contributor.author	Mills, RH	en_US
dc.date	2011-11-03	en_US
dc.date.issued	2011	en_US
dc.identifier.citation	Proceedings of ACM Conference of Creativity and Cognition, 2011, pp. 465 - 466	en_US
dc.identifier.uri	http://hdl.handle.net/10453/30147
dc.description.abstract	This paper summarizes the author’s thesis investigating intercultural creativity and cognition in networked musical improvisation. The research is situated amongst scholarly studies of tele-musical interaction, highlighting the technological agenda that drives this enquiry and the need for a deeper examination of the experiential qualities of networked improvisatory practice. The advantages of distributed cognition as a theoretical perspective are considered in relation to evaluation of a preliminary pilot study. Incidences of creative interaction reveal the cognitive strategies that musicians employ to navigate the dispersed non-visual, improvisatory-networked experience.	en_US
dc.publisher	ACM	en_US
dc.relation.ispartof	Proceedings of ACM Conference of Creativity and Cognition	en_US
dc.relation.ispartof	Conference on Creativity and Cognition	en_US
dc.relation.isbasedon	10.1145/2069618.2069753	en_US
dc.rights	© ACM 2011. This is the author's version of the work. It is posted here by permission of ACM for your personal use. Not for redistribution. The definitive version was published in Proceedings of ACM Conference of Creativity and Cognition, 2011, pp. 465 - 466 http://doi.acm.org/10.1145/2069618.2069753	en_US
dc.title	Tele-Improvisations: Cross Cultural Creativity in Networked Improvisation	en_US
dc.type	Conference Proceeding
utslib.location.activity	Atlanta, Georgia, USA	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
utslib.for	1999 Other Studies in Creative Arts and Writing	en_US
dc.location.activity	Atlanta GA USA
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Computer Science
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.finish-date	2011-11-06	en_US
pubs.start-date	2011-11-03	en_US

Abstract:

This paper summarizes the author’s thesis investigating intercultural creativity and cognition in networked musical improvisation. The research is situated amongst scholarly studies of tele-musical interaction, highlighting the technological agenda that drives this enquiry and the need for a deeper examination of the experiential qualities of networked improvisatory practice. The advantages of distributed cognition as a theoretical perspective are considered in relation to evaluation of a preliminary pilot study. Incidences of creative interaction reveal the cognitive strategies that musicians employ to navigate the dispersed non-visual, improvisatory-networked experience.

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http://hdl.handle.net/10453/30147