Open Air

Caines, CC

Open Air

Caines, CC

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Publication Type:: Exhibition
Citation:: Open Air, 2011
Issue Date:: 2011

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Field	Value	Language
dc.contributor.author	Caines, CC https://orcid.org/0000-0002-7052-2731	en_US
dc.date	2011-10-20	en_US
dc.date.issued	2011	en_US
dc.identifier.citation	Open Air, 2011	en_US
dc.identifier.uri	http://hdl.handle.net/10453/30681
dc.relation.ispartof	Open Air	en_US
dc.title	Open Air	en_US
dc.type	Exhibition
utslib.location	Apple iTunes - Mosman Gallery	en_US
utslib.for	1902 Film, Television and Digital Media	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Strength - CPCE - Centre for Creative Practices and the Cultural Economy
utslib.copyright.status	open_access
pubs.consider-herdc	false	en_US
pubs.place-of-publication	Apple iTunes - Mosman Gallery	en_US
pubs.start-date	2011-10-20	en_US
pubs.rights-statement	Open Air is a locative media app and gallery based installation that explores the resonance of place in the development of Australian impressionism. Research background This research is in the field of Locative Media. Janet Cardiff demonstrated that mobile representations of sound can be used to create new understandings of place. Terri Rueb’s work showed that by using mapping technologies, place-based sound can be embedded in a world-wide locative network, taking the work from the personal to the globally-connected. Nigel Helyer demonstrated that by using environmental and historical information in situ the participant experiences a richer relationship with the place. The research question addressed by this work is, is it possible to use these techniques to enable participants to think about the development and history of the visual arts in Australia? Research Contribution Open Air demonstrates that the use of locative media to present environmental and historical information in situ can create for participants a rich embodied understanding of the role of place in the development of Australian impression, and thus the role of that movement in the national visual imagination. Research Significance The project was funded by a grant from Arts NSW. Open Air was curated for exhibition at Mosman Art Gallery.	en_US

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http://hdl.handle.net/10453/30681