Memory, Schema and Interactive Video

Leggett, MG

Memory, Schema and Interactive Video

Leggett, MG

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Publisher:: Libri Publishing
Publication Type:: Chapter
Citation:: Interacting Art, Research and the Creative Practitioner, 2011, 1, pp. 282 - 294
Issue Date:: 2011-01

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Full metadata record

Field	Value	Language
dc.contributor.author	Leggett, MG	en_US
dc.contributor.editor	Candy, L	en_US
dc.contributor.editor	Edmonds, E	en_US
dc.date.issued	2011-01	en_US
dc.identifier.citation	Interacting Art, Research and the Creative Practitioner, 2011, 1, pp. 282 - 294	en_US
dc.identifier.isbn	978 1 907471 48 3	en_US
dc.identifier.uri	http://hdl.handle.net/10453/31121
dc.description.abstract	In the computer-based digital domain, interaction with video is becoming an everyday occurrence. Breaking away from our traditional regard for moving images organised along the linear principles of the filmic tradition, we can now use motion pictures relationally, linking across and along shots and sequences. The artist and interaction designer can thereby share the making of the experience of the work with the audience, the active participant. In so doing, the creative experience is shared.	en_US
dc.publisher	Libri Publishing	en_US
dc.relation.ispartof	Interacting Art, Research and the Creative Practitioner	en_US
dc.title	Memory, Schema and Interactive Video	en_US
dc.type	Chapter
utslib.location	Faringdon, Oxfordshire, U.K	en_US
utslib.for	0806 Information Systems	en_US
utslib.for	080602 Computer-Human Interaction	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology
pubs.organisational-group	/University of Technology Sydney/Faculty of Engineering and Information Technology/School of Systems, Management and Leadership
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	Faringdon, Oxfordshire, U.K	en_US

Abstract:

In the computer-based digital domain, interaction with video is becoming an everyday occurrence. Breaking away from our traditional regard for moving images organised along the linear principles of the filmic tradition, we can now use motion pictures relationally, linking across and along shots and sequences. The artist and interaction designer can thereby share the making of the experience of the work with the audience, the active participant. In so doing, the creative experience is shared.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/31121