Shut Up Storefront

Grau, U; Goberna Pesudo, C

Shut Up Storefront

Grau, U

Goberna Pesudo, C

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Publication Type:: Exhibition
Citation:: No Shame: Storefront For Sale

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Field	Value	Language
dc.contributor.author	Grau, U https://orcid.org/0000-0003-1906-1615	en_US
dc.contributor.author	Goberna Pesudo, C	en_US
dc.date	2013-05-01	en_US
dc.identifier.citation	No Shame: Storefront For Sale	en_US
dc.identifier.uri	http://hdl.handle.net/10453/31789
dc.relation.ispartof	No Shame: Storefront For Sale	en_US
dc.title	Shut Up Storefront	en_US
dc.type	Exhibition
utslib.location	Storefront for Art and Architecture, New York	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture
utslib.copyright.status	open_access
pubs.consider-herdc	false	en_US
pubs.place-of-publication	Storefront for Art and Architecture, New York	en_US
pubs.start-date	2013-05-01	en_US
pubs.rights-statement	The high speed production and consumption of architectural culture creates a general anaesthesia that is complicated to observe in detail, analyze and digest, let alone respond to. A consequence is a lack of interest in discussion and the naturalization of issues that could otherwise be contested. In order to be able to create the disagreement necessary to advance the field, a certain silence needs to be provided. The absence of activity that Storefront relentlessly negates to its audience is perhaps its most precious asset. Fake Industries Architectural Agonism proposed to stop the endless string of events, fundraisings, benefits, projects, films, competitions, pop-ups, series and exhibitions that perpetuate the attention deficit disorder the institution suffers. Shut Up Storefront offered forty-four sponsored ways of silencing the institution. The exhibition No Shame: Storefront for Sale, reflects on the funding forces behind public spaces and cultural institutions. It presents the work of eight artists, architects and designers, invited to envision a critical commercial campaign of Storefront’s assets. Each project presented a new taxonomy of valuable assets the institution holds or represents in relation to the city and the citizen, unveiling untapped forms of connection between capital and culture production. Founded in 1982, Storefront for Art and Architecture is a nonprofit organization committed to the advancement of innovative positions in architecture, art and design. As a public forum for emerging voices, Storefront explores vital issues in art and architecture with the intent of increasing awareness of and interest in contemporary design.	en_US

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http://hdl.handle.net/10453/31789