SEAM 2013

Medlin, M; Anderson, B; Gazzola, P

SEAM 2013

Medlin, M Anderson, B

Gazzola, P

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Field	Value	Language
dc.contributor.author	Medlin, M	en_US
dc.contributor.author	Anderson, B https://orcid.org/0000-0002-8387-340X	en_US
dc.contributor.author	Gazzola, P	en_US
dc.date	2013-11-15	en_US
dc.identifier.uri	http://hdl.handle.net/10453/32753
dc.format	Curatorial/ performance, scenography and design	en_US
dc.title	SEAM 2013	en_US
utslib.location.activity	Sydney, Australia	en_US
utslib.for	1203 Design Practice and Management	en_US
dc.location.activity	Sydney, Australia
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	open_access
pubs.finish-date	2013-11-17	en_US
pubs.start-date	2013-11-15	en_US
pubs.rights-statement	Over three intensive days SEAM2013 mounted a combination of 50 lectures, performances, academic papers and media art works by individuals and groups from across Australia and 12 countries. SEAM2013 sought to address the shifting context of cultural production, from the independent collectives of the 1970s and 1980s to a current model where institutionalized governance of cultural production dominates, through the following themes: Authorship – What are our methods of defining and negotiating accreditation between artists and producers, artists and other artists, artists and communities? How do we share ownership and how do we negotiate ground in forming collaborations? Audience – Who is the audience? How do they relate to the work and to each other? What expectations do they bring? How do they become activated? Curation – What are curators? What influences do they exert in the production of dance and performance? Are themes important? What are the pressures exerted on artistic production through theme driven festivals? As the only interdisciplinary performance research symposium dedicated to the enquiry of dance and performance practices in Australia, SEAM2013 Symposium built on the work produced by a national and international community of participants over the last three SEAM Symposia in 2009, 2010 and 2011. Generating an ongoing platform of dialogue for art makers and theoreticians, the SEAM Symposia’s unique position within the discourse of arts production bridges both practice and academia. The Symposium was financed and supported by Critical Path, University of Technology, Sydney, Interarts Program, Australia Council for the Arts, Arts NSW and Performance Space. Curated by Benedict Anderson, Margie Medlin and Paul Gazzola.	en_US

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http://hdl.handle.net/10453/32753