Mt. Chroma

Field	Value	Language
dc.contributor.author	Titmarsh, M https://orcid.org/0000-0002-1033-3867	en_US
dc.contributor.author	Robinson, T https://orcid.org/0000-0002-0209-4771	en_US
dc.contributor.editor	Beckingham and McMahon, KAA	en_US
dc.date	2014-10-22	en_US
dc.date.issued	2014-11-08	en_US
dc.identifier.citation	Fleet, 2014	en_US
dc.identifier.uri	http://hdl.handle.net/10453/33396
dc.format	painting, sculpture, performance, installation	en_US
dc.publisher	Metro Arts Brisbane	en_US
dc.relation.ispartof	Fleet	en_US
dc.title	Mt. Chroma	en_US
dc.type	Exhibition
utslib.location	Metro Arts, Brisbane	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	open_access
pubs.consider-herdc	true	en_US
pubs.finish-date	2014-11-08	en_US
pubs.place-of-publication	Metro Arts, Brisbane	en_US
pubs.start-date	2014-10-22	en_US
pubs.rights-statement	This collaborative work sits at the intersection of painting, sculpture, performance, and installation. Discrete aspects of this convergent practice combines at a material level through the congress of colour, fabric, the human form and thingliness. Previous work has resulted in a series of wearable garments and live presentations that challenge the boundaries between art, fashion, commodities and ephemera. Colour has become quite dominant in all their activities since its superficial presence on the surface of clothes, paintings and skin belies a profound significance illuminated by their particular chromatic phenomenology.	en_US

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http://hdl.handle.net/10453/33396