Ideology, Fashion and the Darlys Macaroni Prints

McNeil, PK

Ideology, Fashion and the Darlys Macaroni Prints

McNeil, PK

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Publisher:: Bloomsbury Academic
Publication Type:: Chapter
Citation:: Dress and Ideology: Fashioning Identity from Antiquity to the Present, 2015, 1, pp. 111 - 136
Issue Date:: 2015

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Field	Value	Language
dc.contributor.author	McNeil, PK https://orcid.org/0000-0002-2151-4196	en_US
dc.contributor.editor	Marzal, SR	en_US
dc.contributor.editor	Stiebel, GD	en_US
dc.date.issued	2015	en_US
dc.identifier.citation	Dress and Ideology: Fashioning Identity from Antiquity to the Present, 2015, 1, pp. 111 - 136	en_US
dc.identifier.isbn	978-1-4725-2549-9	en_US
dc.identifier.uri	http://hdl.handle.net/10453/34144
dc.description.abstract	Is there a concrete difference between the reception of a political caricature, and one concerning manners, such as arose in very large numbers in the last third of the eighteenth century in England? How can we determine the ideological function of eighteenth- century printed satires of the subject of fashion? What was the ideological role of the witty expressions and humorous sallies that were popular consumer items, as dArchenholz observed of the many such broadsheets being sold in the streets of London in 1786? What is known about the people who might have perused them? In this chapter I focus upon one genre of the printed satirical material of the eighteenth century and indicate some of the problems of interpreting the corpus.	en_US
dc.publisher	Bloomsbury Academic	en_US
dc.relation.ispartof	Dress and Ideology: Fashioning Identity from Antiquity to the Present	en_US
dc.title	Ideology, Fashion and the Darlys Macaroni Prints	en_US
dc.type	Chapter
utslib.location	London, New Delhi, New York, Sydney	en_US
utslib.for	120301 Design History and Theory	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
pubs.organisational-group	/University of Technology Sydney/Strength - CCDP - Contemporary Design Practice
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	London, New Delhi, New York, Sydney	en_US
pubs.publication-status	Published	en_US

Abstract:

Is there a concrete difference between the reception of a political caricature, and one concerning manners, such as arose in very large numbers in the last third of the eighteenth century in England? How can we determine the ideological function of eighteenth- century printed satires of the subject of fashion? What was the ideological role of the witty expressions and humorous sallies that were popular consumer items, as dArchenholz observed of the many such broadsheets being sold in the streets of London in 1786? What is known about the people who might have perused them? In this chapter I focus upon one genre of the printed satirical material of the eighteenth century and indicate some of the problems of interpreting the corpus.

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http://hdl.handle.net/10453/34144