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2017-07-01
The perception of hyper-compression by mastering engineers
Ronan, M
;
Ward, N
;
Sazdov, R
;
Lee, H
2014-01-01
Factors influencing listener preference for dynamic range compression
Ronan, M
;
Sazdov, R
;
Ward, N
2011-07-29
An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques
Lynch, H
;
Sazdov, R
2013-01-01
An investigation into the perception of spatial techniques used in multi-channel electroacoustic music
Lynch, H
;
Sazdov, R
2016-11-14
The EU Project ORPHEUS: Object-based Broadcasting – for Next Generation Audio Experiences
Silzle, A
;
Sazdov, R
;
Weitnauer, M
2011-08-12
The influence of sub-woofer frequencies within a multi-channel loudspeaker configuration on the perception of spatial attributes in a concert hall environment
Sazdov, R
2011-11-04
An Ecologically Valid Experiment for the Perceptual Study of Multi-Channel Electroacoustic Music
Sazdov, R
;
Vande Gorne, A
2011-06-10
An Investigation into Compositional techniques Utilized for the Three-Dimensional Spatialization of Electroacoustic Music
Lynch, H
;
Sazdov, R
2017-03-01
A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment
Lynch, H
;
Sazdov, R
2015-05-05
An investigation into the sound quality lexicon of analogue compressors using category analysis
Ronan, M
;
Ward, N
;
Sazdov, R
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