De-Stabilzing the Frame: The transitional and transformative nature of the image within fashion practice

Chant, A

De-Stabilzing the Frame: The transitional and transformative nature of the image within fashion practice

Chant, A

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Publisher:: Edizioni Polistampa
Publication Type:: Conference Proceeding
Citation:: Momenting the memento:: IFFTI Conference 2015, Conference Proceedings, 2015, pp. 14 - 18
Issue Date:: 2015

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Field	Value	Language
dc.contributor.author	Chant, A	en_US
dc.date	2015-05-13	en_US
dc.date.issued	2015	en_US
dc.identifier.citation	Momenting the memento:: IFFTI Conference 2015, Conference Proceedings, 2015, pp. 14 - 18	en_US
dc.identifier.isbn	9788859617747	en_US
dc.identifier.uri	http://hdl.handle.net/10453/41837
dc.description.abstract	The aim of this paper is to explore the nature and potential that the ‘framing’ of fashion can have in relation to the fashion image and to the fashion process itself. The ‘frame’ or approach to ‘framing’ that currently exists within a fashion context (in relation to large scale industry) can be understood within three main areas: industry, imagery and garment. Industry in terms of seasons, production and retail structures; ‘imagery’ in terms of editorial, campaign or presentation; and in terms of the ‘framing’ of the fashion garment itself, guided by gender, size and designated style.	en_US
dc.publisher	Edizioni Polistampa	en_US
dc.relation.ispartof	Momenting the memento:: IFFTI Conference 2015, Conference Proceedings	en_US
dc.relation.ispartof	Momenting the memento: 5 day international research & networking project on fashion culture	en_US
dc.title	De-Stabilzing the Frame: The transitional and transformative nature of the image within fashion practice	en_US
dc.type	Conference Proceeding
utslib.location	Firenze	en_US
utslib.location.activity	Florence, Italy	en_US
utslib.for	1203 Design Practice and Management	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building
pubs.organisational-group	/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Design
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.finish-date	2015-05-15	en_US
pubs.place-of-publication	Firenze	en_US
pubs.publication-status	Published	en_US
pubs.start-date	2015-05-13	en_US

Abstract:

The aim of this paper is to explore the nature and potential that the ‘framing’ of fashion can have in relation to the fashion image and to the fashion process itself. The ‘frame’ or approach to ‘framing’ that currently exists within a fashion context (in relation to large scale industry) can be understood within three main areas: industry, imagery and garment. Industry in terms of seasons, production and retail structures; ‘imagery’ in terms of editorial, campaign or presentation; and in terms of the ‘framing’ of the fashion garment itself, guided by gender, size and designated style.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/41837