| Field |
Value |
Language |
|
dc.contributor.author |
Feuerman, W
https://orcid.org/0000-0003-3458-7033
|
en_US |
|
dc.contributor.editor |
Callum Andrews |
en_US |
|
dc.contributor.editor |
Oly Begg |
en_US |
|
dc.date.issued |
2015 |
en_US |
|
dc.identifier.citation |
Sculpture by the Sea, Nineteenth Annual Exhibition, 2015 |
en_US |
|
dc.identifier.uri |
http://hdl.handle.net/10453/43233
|
|
|
dc.description.abstract |
Public interactive installation, experimenting with one's visual perception of the surrounding environment |
en_US |
|
dc.format |
sculpture (quantity = 3), welded brush aluminium, mirrored acrylic |
en_US |
|
dc.relation.ispartof |
Sculpture by the Sea, Nineteenth Annual Exhibition |
en_US |
|
dc.title |
OUTSIDE-IN |
en_US |
|
dc.type |
Artefact |
|
|
utslib.location |
Bondi, Sydney; Cottesloe, Perth. |
en_US |
|
utslib.location.activity |
Sydney, Australia |
en_US |
|
utslib.for |
1201 Architecture |
en_US |
|
pubs.embargo.period |
Not known |
en_US |
|
pubs.organisational-group |
/University of Technology Sydney |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Design, Architecture and Building |
|
|
pubs.organisational-group |
/University of Technology Sydney/Faculty of Design, Architecture and Building/School of Architecture |
|
|
utslib.copyright.status |
closed_access |
|
|
pubs.consider-herdc |
true |
en_US |
|
pubs.place-of-publication |
Bondi, Sydney; Cottesloe, Perth. |
en_US |
|
pubs.rights-statement |
‘OUTSIDE-IN,’ a work positioned within the field of architecture and visual perception, is an an apparatus that serves as a scaffold for vision, an architectural device that reconfigures the way we focus on and see our surrounding environment. Externally, ‘OUTSIDE-IN’ is constructed as a labyrinthine series of intersecting vectors, fabricated from welded, brushed aluminium. Internally, a weather controlled mirrored acrylic interior produces a succession of kaleidoscopic viewing corridors that define specific lines of vision. The project examines architecture’s relationship to technology and the observer and the role the visual experience plays in manipulating and reconditioning our perceptions. |
en_US |
|
pubs.rights-statement |
Outside-in is a work positioned within the field of architecture and visual perception. The project examines architecture's relationship to technology and the observer and the role the visual experience plays in manipulating and reconditioning our perceptions. Outside-in operates as a machine for viewing, hybridizing several visual apparatuses (a periscope, telescope, microscope and kaleidoscope) into a single form, inviting users to stop, interact and look inside. Externally, Outside-in appears as a labyrinthine series of intersecting vectors, constructed from welded brushed aluminium. Internally, a mirrored acrylic interior produces a succession of kaleidoscopic viewing corridors that define specific lines of vision, drawing in and distorting the surrounds. Sited in three different environments (the grass, the sand and the rocks), a range of forces shape its internal and external performance. Interactions occur between viewers as they try to navigate the mechanics between what they are seeing and where they are looking. Outside-In offers a new way of seeing the surrounding environment drawing viewers' attention to the mechanics and manipulations involved in vision The three sculptures were exhibited at Sculpture by the Sea, Sydney (2015) and Perth (2016). |
en_US |
|
pubs.rights-statement |
Outside-in is a work positioned within the field of architecture from questions arising around visual perception. The project examines architecture's relationship to technology and the observer and the role the visual experience plays in manipulating and reconditioning our perceptions. Outside-in operates as a machine for viewing, hybridizing several visual apparatuses (a periscope, telescope, microscope and kaleidoscope) into a single form, inviting users to stop, interact and look inside. Externally, Outside-in appears as a labyrinthine series of intersecting vectors, constructed from welded brushed aluminium. Internally, a mirrored acrylic interior produces a succession of kaleidoscopic viewing corridors that define specific lines of vision, drawing in and distorting the surrounds. Sited in three different environments (the grass, the sand and the rocks), a range of forces shape its internal and external performance. Interactions occur between viewers as they try to navigate the mechanics between what they are seeing and where they are looking. Outside-In offers a new way of seeing the surrounding environment drawing viewers' attention to the mechanics and manipulations involved in vision The three sculptures were exhibited at Sculpture by the Sea, Sydney (2015) and Perth (2016). |
en_US |
