Unspoken Desires: Lore as case study on shadow narrative

Publication Type:
Journal Article
Journal of Screenwriting, 2014, 5 (3), pp. 343 - 353
Issue Date:
Full metadata record
Files in This Item:
Filename Description Size
Thumbnail2013003215OK.pdf413.71 kB
Adobe PDF
© 2014 Intellect Ltd Article. This article explores the concept of a shadow narrative lying under the surface of the main film narrative through a case study of the 2012 film Lore. The film is based on the second story in Rachel Seiffert's book The Dark Room. It was adapted for the screen by British screenwriter Robin Mukherjee and Australian director and screenwriter Cate Shortland. I will search for the structure of this narrative through an analysis of key emotional scenes, moments or spectral traces when the unspoken desires of the protagonist, Lore, surface and take form, when subtext becomes text and nothing is ever the same again. Using film analyst Paul Gulinos argument that most narrative films consist of eight major sequences, each between eight and fifteen minutes, I will break the film into eight sequences and then identify one key emotional scene in each sequence. I will then analyse the eight key scenes and discuss the development of Lore's shadow or unspoken narrative of desire. Some of these key scenes re-imagine or extend narrative moments from the book, but most are new, created by the screenwriters in order to make visible the invisible transformation of character and to heighten themes introduced in the first story in the book and brought to a resolution in the third.
Please use this identifier to cite or link to this item: