Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe

Hurley, AW

Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe

Hurley, AW

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Publisher:: John Libbey & Company
Publication Type:: Journal Article
Citation:: Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 2006, 8 (1), pp. 3 - 21
Issue Date:: 2006-01

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Field	Value	Language
dc.contributor.author	Hurley, AW https://orcid.org/0000-0001-6717-3537	en_US
dc.date.issued	2006-01	en_US
dc.identifier.citation	Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture, 2006, 8 (1), pp. 3 - 21	en_US
dc.identifier.issn	1038-2909	en_US
dc.identifier.uri	http://hdl.handle.net/10453/998
dc.description.abstract	In late 1966, a group of Indonesian jazz musicians approached the energetic West-German broadcaster, writer and so-called 'jazz pope' Joachim-Ernst Berendt with the proposal that he assist them in mounting a tour of Europe. This tour represented what E. Taylor Atkins, a historian of Japanese jazz, calls a 'strategy of authentication', intended to secure the playing experience these musicians craved (2001: 12). It would be the first time that a group of Indonesian jazzmen perfonned on the international stage. As it transpired, their tour also generated an early instance of proto- 'world music'.	en_US
dc.publisher	John Libbey & Company	en_US
dc.relation.ispartof	Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture	en_US
dc.title	Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe	en_US
dc.type	Journal Article
utslib.citation.volume	1	en_US
utslib.citation.volume	8	en_US
utslib.for	2002 Cultural Studies	en_US
utslib.for	1904 Performing Arts and Creative Writing	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/e-Press
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
utslib.copyright.status	closed_access
pubs.consider-herdc	false	en_US
pubs.issue	1	en_US
pubs.volume	8	en_US

Abstract:

In late 1966, a group of Indonesian jazz musicians approached the energetic West-German broadcaster, writer and so-called 'jazz pope' Joachim-Ernst Berendt with the proposal that he assist them in mounting a tour of Europe. This tour represented what E. Taylor Atkins, a historian of Japanese jazz, calls a 'strategy of authentication', intended to secure the playing experience these musicians craved (2001: 12). It would be the first time that a group of Indonesian jazzmen perfonned on the international stage. As it transpired, their tour also generated an early instance of proto- 'world music'.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/998