Postnationalism, Postmodernism and the German Discourse(s) of Weltmusik

Lawrence & Wishart Ltd
Publication Type:
Journal Article
New Formations, 2009, 66 (1), pp. 100 - 117
Issue Date:
Full metadata record
Files in This Item:
Filename Description Size
Thumbnail2008002818OK.pdf151.72 kB
Adobe PDF
Since the mid-1960s, just after the time at which Jameson posits the emergence of postmodernist aesthetics, German musicians and producers, operating in a range of fields of musical production from highbrow Ernste-Musik (serious music) to jazz and rock, have experimented with notions of Weltmusik (a term I will not translate since, in German discourses, Weltmusik has tended to signify western music in which various musical components are thought to synthesise into a whole, whereas the English term `world music' has often been used by the music industry as a marketing label to represent `authentic' musics from the margins).
Please use this identifier to cite or link to this item: