Towards understanding the renewal of ancient song traditions through Garrwa video : an Indigenous story research study
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Indigenous knowledge journeys involve talk, story, song, dance, dream, being on country. But research carries a legacy of exploitation for oppressed peoples. Indigenous theories and methodologies open up decolonising ways to transform shared meaning making experiences (Smith 1999) (Sherwood 2010). This study explores cultural powers of Garrwa resurgence through story research renewal of Ngabaya and Darrbarrwarra traditions as music videos. Garrwa are under threat from mining in South West Gulf country, Northern Territory. This exegesis focuses on three spheres, sharing how vibrant cultural powers are intergenerational and interrelational, sourced in the Yigan (dreaming creation) and passed down through ancestors, Elders, family, clan (Hoosan 2018). It re-orientates Garrwa video practice into greater resonance with visual/aural sovereignty (Raheja 2010) (Behrendt 2016) and Indigenous storywork where interrelatedness is a “synergistic interaction between storyteller, listener, and story” (Archibald 2008:32). Yarnbar Jarngkurr is described by Elders as voices and stories that shape renewal of the relational world through song, dance, ceremony and ancient land practices (McDinny 2017). In transforming perceptions and understandings we must seek unity in meaning making (Van Leeuwen 2017). Yarnbar Jarngkurr is an Indigenous Theory of Transformation (Pihama 2018) and creative Indigenous methodology for visioning and enacting Garrwa self determination.
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