Before #MeToo: Hearing Vulnerability

Evans, M; Hughes, D

Before #MeToo: Hearing Vulnerability

Evans, M

Hughes, D

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Publisher:: Equinox Publishing
Publication Type:: Chapter
Citation:: The Singing Voice in Contemporary Cinema, 2020, pp. 112-131
Issue Date:: 2020

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Field	Value	Language
dc.contributor.author	Evans, M https://orcid.org/0000-0003-4654-8605
dc.contributor.author	Hughes, D
dc.contributor.editor	Evans, M https://orcid.org/0000-0003-4654-8605
dc.contributor.editor	Hughes, D
dc.date.accessioned	2023-01-06T22:40:21Z
dc.date.available	2023-01-06T22:40:21Z
dc.date.issued	2020
dc.identifier.citation	The Singing Voice in Contemporary Cinema, 2020, pp. 112-131
dc.identifier.isbn	1781794456
dc.identifier.isbn	9781781794456
dc.identifier.uri	http://hdl.handle.net/10453/164757
dc.description.abstract	The chapter begins by examining recent discussions in popular music studies and cultural movements that have called out inappropriate but entrenched behaviours associated with contemporary music, singing and/or singers. The analysis of each filmic narrative informs a particular music industry context - such as vocal artistry, artistic control, song creation - in which hypocrisy, institutional norms and gender issues are exposed and/or questioned. Within these contexts, and extending well beyond its acoustic properties or embodied expression, "singing" is often situated as the protagonist in ways that seek to contextualize or consider its potential com modification and manipulation. Such mistreatment extends to the related multiplicity of detrimental industry practices and, for some singers, the ensuing complications. Our discussion concludes by outlining the collective and recurrent themes that identify and reveal - and hear - vulnerability
dc.format.extent	12
dc.language	en
dc.publisher	Equinox Publishing
dc.relation.ispartof	The Singing Voice in Contemporary Cinema
dc.relation.ispartofseries	Genre, Music and Sound
dc.rights	info:eu-repo/semantics/closedAccess
dc.title	Before #MeToo: Hearing Vulnerability
dc.type	Chapter
pubs.organisational-group	/University of Technology Sydney
utslib.copyright.status	closed_access	*
pubs.consider-herdc	true
dc.date.updated	2023-01-06T22:40:17Z
pubs.place-of-publication	UK
pubs.publication-status	Published
dc.location	UK

Abstract:

The chapter begins by examining recent discussions in popular music studies and cultural movements that have called out inappropriate but entrenched behaviours associated with contemporary music, singing and/or singers. The analysis of each filmic narrative informs a particular music industry context - such as vocal artistry, artistic control, song creation - in which hypocrisy, institutional norms and gender issues are exposed and/or questioned. Within these contexts, and extending well beyond its acoustic properties or embodied expression, "singing" is often situated as the protagonist in ways that seek to contextualize or consider its potential com modification and manipulation. Such mistreatment extends to the related multiplicity of detrimental industry practices and, for some singers, the ensuing complications. Our discussion concludes by outlining the collective and recurrent themes that identify and reveal - and hear - vulnerability

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/164757