The semiotics of decoration

van Leeuwen, T

The semiotics of decoration

van Leeuwen, T

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Publisher:: Routledge
Publication Type:: Chapter
Citation:: Multimodal Studies - Exploring Issues and Domains, 2011, 1, pp. 115 - 131
Issue Date:: 2011-01

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Full metadata record

Field	Value	Language
dc.contributor.author	van Leeuwen, T https://orcid.org/0000-0003-2163-8700	en_US
dc.contributor.editor	O'Halloran, KL	en_US
dc.contributor.editor	Smith, BA	en_US
dc.date.issued	2011-01	en_US
dc.identifier.citation	Multimodal Studies - Exploring Issues and Domains, 2011, 1, pp. 115 - 131	en_US
dc.identifier.isbn	978-0-415-88822-6	en_US
dc.identifier.uri	http://hdl.handle.net/10453/17880
dc.description.abstract	In the eighteenth and nineteenth centuries, fuelled by the industrial revolution and the questions it raised about the difference between handmade and machine-made objects, were intense debates about the nature of decoration and its place relative to, on the one hand, non-decorated objects and on the other hand, the arts.	en_US
dc.publisher	Routledge	en_US
dc.relation.ispartof	Multimodal Studies - Exploring Issues and Domains	en_US
dc.title	The semiotics of decoration	en_US
dc.type	Chapter
utslib.location	London	en_US
utslib.for	1905 Visual Arts and Crafts	en_US
utslib.citation.edition	1	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of Education
pubs.organisational-group	/University of Technology Sydney/Strength - STEM Education Futures
utslib.copyright.status	closed_access
pubs.consider-herdc	true	en_US
pubs.edition	1	en_US
pubs.place-of-publication	London	en_US

Abstract:

In the eighteenth and nineteenth centuries, fuelled by the industrial revolution and the questions it raised about the difference between handmade and machine-made objects, were intense debates about the nature of decoration and its place relative to, on the one hand, non-decorated objects and on the other hand, the arts.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/17880