The critical analysis of musical discourse

van Leeuwen, T

The critical analysis of musical discourse

van Leeuwen, T

Permalink

Publication Type:: Journal Article
Citation:: Critical Discourse Studies, 2012, 9 (4), pp. 319 - 328
Issue Date:: 2012-11-01

Closed Access

	Filename	Description	Size
	2012002209OK.pdf		101.49 kB	Adobe PDF	View/Open

Copyright Clearance Process

Recently Added
In Progress
Closed Access

This item is closed access and not available.

Full metadata record

Field	Value	Language
dc.contributor.author	van Leeuwen, T https://orcid.org/0000-0003-2163-8700	en_US
dc.date.issued	2012-11-01	en_US
dc.identifier.citation	Critical Discourse Studies, 2012, 9 (4), pp. 319 - 328	en_US
dc.identifier.issn	1740-5904	en_US
dc.identifier.uri	http://hdl.handle.net/10453/23373
dc.description.abstract	This paper argues that, contrary to what many musicologists and classical musicians have maintained, music can, and should, be analysed as discourse. It then surveys a number of approaches to the critical analysis of musical discourse and applies these approaches to a range of examples, including sonatas, advertising jingles and news signature tunes. © 2012 Copyright Taylor and Francis Group, LLC.	en_US
dc.relation.ispartof	Critical Discourse Studies	en_US
dc.relation.isbasedon	10.1080/17405904.2012.713204	en_US
dc.title	The critical analysis of musical discourse	en_US
dc.type	Journal Article
utslib.citation.volume	4	en_US
utslib.citation.volume	9	en_US
utslib.for	2004 Linguistics	en_US
utslib.for	MD Multidisciplinary	en_US
pubs.embargo.period	Not known	en_US
pubs.organisational-group	/University of Technology Sydney
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences
pubs.organisational-group	/University of Technology Sydney/Faculty of Arts and Social Sciences/School of Education
pubs.organisational-group	/University of Technology Sydney/Strength - STEM Education Futures
utslib.copyright.status	closed_access
pubs.issue	4	en_US
pubs.publication-status	Published	en_US
pubs.volume	9	en_US

Abstract:

This paper argues that, contrary to what many musicologists and classical musicians have maintained, music can, and should, be analysed as discourse. It then surveys a number of approaches to the critical analysis of musical discourse and applies these approaches to a range of examples, including sonatas, advertising jingles and news signature tunes. © 2012 Copyright Taylor and Francis Group, LLC.

Please use this identifier to cite or link to this item:

http://hdl.handle.net/10453/23373