Zero-waste fashion design : a study at the intersection of cloth, fashion design and pattern cutting

Rissanen, TI

Zero-waste fashion design : a study at the intersection of cloth, fashion design and pattern cutting

Rissanen, TI

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Publication Type:: Thesis
Issue Date:: 2013

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Field	Value	Language
dc.contributor.author	Rissanen, TI
dc.date.accessioned	2013-06-28T05:40:14Z
dc.date.available	2013-06-28T05:40:14Z
dc.date.issued	2013
dc.identifier.uri	http://hdl.handle.net/10453/23384
dc.description	University of Technology Sydney. Faculty of Design, Architecture and Building.	en_US
dc.description.abstract	This thesis examines zero-waste fashion design: design activity that results in zero-waste garments. Conventional design approaches waste approximately 15 per cent of the fabric used in the design and make of a cut and sew garment. The responsibility for this wastage belongs with manufacture, which is constrained by what has already been designed and pattern cut. The economic systems that underpin fashion design and manufacture are such that there is little economic incentive to be concerned with this wastage. An examination of the material and social investments embodied in fabrics alongside their environmental impacts, reveals that these investments are wasted in the wasted fabric. The context of this study is contemporary fashion design within the ready-to-wear industry: fashion design that leads to the manufacturing of multiples of one design. The contextual review of this study examines different methods of fashion creation. Design ideation tools and the relationship between fashion design and pattern cutting in current industry provide the frame for design practice in this study, together with an analysis of historical and contemporary zero-waste and less-waste garments. Findings from the contextual review frame a series of briefs for design experiments. This study asks: What are the opportunities for creating zero-waste garments within contemporary menswear fashion design practice using cut and sew methods? Fashion design practice is the primary research tool in this study. Design processes and their outcomes are documented in a journal, and the journals are transcribed and analysed. Successful strategies for zero-waste fashion design, emerging from the data, are presented. Pattern cutting emerges as integral to zero-waste fashion design. Zero-waste fashion design is examined in relation to fashion manufacture, as particular manufacturing issues such as fabric as material, and the grading of garment patterns to achieve size ranges of garments, create new kinds of opportunities for zero-waste fashion design. This study also asks: To what extent is a zero-waste approach feasible and desirable within contemporary fashion industry? This study demonstrates that zero-waste fashion design generates new opportunities for fashion design to engage with fashion manufacture that may not currently exist. This study calls for fashion design to consider pattern cutting an integral part of the fashion design process. Such an approach to fashion design creates new opportunities for the fashion industry and fashion design education. Zero-waste fashion design is part of a larger picture of beauty for everyone, that fashion is capable of being the source of.	en_US
dc.format	Thesis (PhD)	en_US
dc.language.iso	en	en_US
dc.relation	https://opus.lib.uts.edu.au/bitstream/10453/23384/12/02whole.pdf
dc.rights	The author owns the copyright in this thesis including all reproduction and reuse rights for the work. The work may not be altered without the permission of the copyright owner. Attribution is essential when quoting or paraphrasing from this thesis.
dc.rights	au.edu.uts.lib/ppc
dc.rights	info:eu-repo/semantics/openAccess
dc.subject	Fashion design.	en
dc.subject	Sustainability.	en
dc.subject	Pattern cutting.	en
dc.subject	Ready-to-wear.	en
dc.subject	Zero-waste.	en
dc.title	Zero-waste fashion design : a study at the intersection of cloth, fashion design and pattern cutting	en_US
dc.type	Thesis
utslib.copyright.status	open_access

Abstract:

This thesis examines zero-waste fashion design: design activity that results in zero-waste garments. Conventional design approaches waste approximately 15 per cent of the fabric used in the design and make of a cut and sew garment. The responsibility for this wastage belongs with manufacture, which is constrained by what has already been designed and pattern cut. The economic systems that underpin fashion design and manufacture are such that there is little economic incentive to be concerned with this wastage. An examination of the material and social investments embodied in fabrics alongside their environmental impacts, reveals that these investments are wasted in the wasted fabric. The context of this study is contemporary fashion design within the ready-to-wear industry: fashion design that leads to the manufacturing of multiples of one design. The contextual review of this study examines different methods of fashion creation. Design ideation tools and the relationship between fashion design and pattern cutting in current industry provide the frame for design practice in this study, together with an analysis of historical and contemporary zero-waste and less-waste garments. Findings from the contextual review frame a series of briefs for design experiments. This study asks: What are the opportunities for creating zero-waste garments within contemporary menswear fashion design practice using cut and sew methods? Fashion design practice is the primary research tool in this study. Design processes and their outcomes are documented in a journal, and the journals are transcribed and analysed. Successful strategies for zero-waste fashion design, emerging from the data, are presented. Pattern cutting emerges as integral to zero-waste fashion design. Zero-waste fashion design is examined in relation to fashion manufacture, as particular manufacturing issues such as fabric as material, and the grading of garment patterns to achieve size ranges of garments, create new kinds of opportunities for zero-waste fashion design. This study also asks: To what extent is a zero-waste approach feasible and desirable within contemporary fashion industry? This study demonstrates that zero-waste fashion design generates new opportunities for fashion design to engage with fashion manufacture that may not currently exist. This study calls for fashion design to consider pattern cutting an integral part of the fashion design process. Such an approach to fashion design creates new opportunities for the fashion industry and fashion design education. Zero-waste fashion design is part of a larger picture of beauty for everyone, that fashion is capable of being the source of.

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