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2019-06-01
Ethnographic spectacle and trans-Atlantic performance: Unravelling the costumes of vaudeville’s ‘Queen’, Eva Tanguay
Brayshaw, E
2015-09-07
The Jackdaw in the Gilded Cage: Uhlirova’s Birds of Paradise
Brayshaw, E
2019
Remembering Roland Leighton: uniforms as the materials of memory and mourning in World War I
Brayshaw, E
;
Newby, Z
;
Toulson, RE
2021-06-30
Oskar Schlemmer’s Kitsch (1922): A Contextualisation and Translation
Brayshaw, E
2020-01-01
Unraveling Psychologically: Knitting in Performance Costume and the Themes of You Got Older (2015)
Brayshaw, E
-
Costume Behaving Badly: Poverty, Disease and Disgust in Early Twentieth-Century New York Vaudeville
Brayshaw, E
2021-01-28
6: Dressed to Quill: The Origin and Significance of the Feathered Showgirl in World War I Paris
Brayshaw, E
;
Bass-Kruger, M
;
Edwards-Dujardin, H
;
Kurkdjian, S
2020-12-01
An ‘armour’ against anguish: Costume design considerations around protecting actors in emotionally distressing roles
Brayshaw, E
2014-01
Embodying a Modern Luxury: The White Peacock, Distinction and Desire on the Early-twentieth-century Broadway Stage
Brayshaw, E
2020-11-12
2.3 Extravagance, Expense and Notoriety in Costume: Gaby Deslys and Parisian Modernity on the American Stage, 1911-1914
Brayshaw, E
;
Pantouvaki, S
;
McNeil, P
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