Two thin aluminium plates of specific shape - a composite rectangle/equilateral
triangle and a simple equilateral triangle - have been found, when constructed
with and held at handles, to radiate a steady state and virtually pure tone, when
struck. This property, along with the capacity to manipulate the amplitude, onset
and decay of the tone, make the plates suitable for use in musical performance,
with the composite shape being used in the manufacture of pitched sets of
Using experimental and computational techniques, these handheld instruments,
collectively known as bell plates, were studied here to determine the possible
origin of their tone-producing mechanisms. Their mode shapes and vibrational
dynamics were compared with those of two non-ringing plates, whose dimensions
vary only slightly from those of the bell plate group. The shapes of these non-ringing
plates - here termed transient bell plates - are a composite
rectangle/isosceles triangle and a simple isosceles triangle. As with the bell plates,
they are held at stems or handles.
Representations of the shapes of the lowest vibrational modes of the four ringing
and non-ringing plates were obtained using Chladni patterns, in which sand grains
are used to highlight any nodal regions occurring in a given mode. The mode
shape of the ringing mode in the bell plates was identified as an unbroken nodal
line in the shape of a U-curve. This curve separates a central oscillating region
from two symmetrically-positioned outer regions oscillating out-of-phase with the
central area. The mode shape of the equivalent mode in the transient plates is
similarly divided into central and outer regions, but these are not divided by a
single unbroken curve. Instead, the central antinode in the equivalent mode of the
transient plate is outlined by two straight lines on either side of the central axis.
The mode shapes found in the two bell plates and the two transient plates were
then verified, and their dynamics analyzed, by the use of Finite Element
Modelling (FEM). The FEM results of this research show that the ringing mode
dominates the vibrational spectra of the two bell plates, verifying the almost pure-tone
characteristics of these plates. The spectra of the two transient plates are also
dominated by a single mode, which in those plates does not radiate acoustically.
With further FEM analysis, features were discovered which differentiate bell plate
modal dynamics from those of the non-ringing plates, highlighting characteristics
of possible tone-production mechanism in the former.
In the ringing mode of the bell plates, greater deformations around the horizontal
and central vertical axes were found compared to those in the equivalent transient
plate modes. Strain energy density, concentrated at the top centre of the bell plates
in this mode, is clearly more dissipated across the area of the transient plates. An
orderly alignment of out-of-plane displacement vectors in the belleplate is absent
in its non-ringing counterpart. The value of Poisson's Ratio - a measure of the
coupling of perpendicular flexural motions in a material - is found to be critical to
the presence of the ringing mode's unbroken U-curve but not to that of the broken
nodal lines in the transient plates.
These comparisons highlight certain features of bell plate vibrational dynamics
which are believed to be characteristic of effective tone-generation mechanisms.
Future experimental and computational work could reveal further qualitative and
quantitative characteristics in both plate types, thus extending and refining an
understanding of their significant differences.